Tag Archives: DC comics

BATMAN ’66 MEETS GREEN HORNET 1 REVIEW – Boo Not Bam

batman 66 meets green hornet 1 coverBATMAN ’66 MEETS GREEN HORNET 1
Writers: Kevin Smith and Ralph Garman
Artist: Ty Templeton
Publishers: DC and Dynamite
Reviewer: Rob Patey (aka – Optimous Douche, Ain’t It Cool News) 

Given my malaise towards camp and kitsch, I thought for sure I would hate the BATMAN ’66 series that inspired this crossover. Wow, was I wrong. Jeff Parker and Richard Case worked the Bam and Kapow, while they delicately inserted today’s cynical sensibilities without ever compromising the camp.

Now, given my adoration of the prior ’66 effort and my love of Kevin Smith (Jersey boys stick together), I couldn’t see where this would fall off the rails. Well, now I know exactly where this title careened into a truck full of orphans was the complete lack of reverence for the original TV series, or the recent success of the comic book. Forced, muddled and an utter exercise in who gives a shit are the watchwords of this crossover that no one asked for.

To put prejudices at bay, I find Smith to be a .750 hitter on the comic front. I loved his Daredevil and Green Arrow run (before anyone wants to get on me for GA, look at how much was carried forward from his seeds). Now, I also know what the deal is 99.99% of the time when two writers are credited on a book. Generally the greater name is charged with plotting and editorial, while the lesser name does the heavy lifting on dialog. I actually have no problem with the plot that brings Britt and Bruce together on a train carrying priceless art. I also liked (in theory) Dick Grayson going on a date. So I’m not really knocking Smith, Garman on the other hand is more directionless than a Garmin.

The opportunities to play double-entendres abound, I mean these are big fat hanging softballs over the plate. Garman, the past host of the very funny Joe Schmo show, is Stevie Wonder at the bat. Whenever there is a chance to zig, he instead zags with a deluge of dialog that is not funny, ironic, nor in tonality with the original TV show or the Parker book. I’ve met Adam West, he couldn’t have remembered this much dialog if he tried. The sentences are too long and too forced to truly be any iteration of Batman. Not once does he revel in this playground, but rather plays it very safe on the see saw like an asthmatic fat kid.

Now, a prejudice I do have is the fact I hate Green Hornet. But I’ll say that Britt and Kato are probably the most likeable and realistic characters in this book. From the time the billionaires meet on the train, to when they finally suit up and start fighting the bad guy, a man who shoots glue, I really found myself in the Hornet’s corner. That’s sad considering I’ve only half-read most Green Hornet books after some earnest initial tries, while I have about twenty-five longboxes of the Bat in my basement.

I was even less than impressed with Templeton, but that is more stylistic taste versus quality. Something about Case’s work on the original ’66 made me think of a cleaner and more detailed Mike Allred. Templeton draws some very HEAVY lines, almost to the point of distraction. We have to remember that these characters have deep rooting in the public zeitgeist, too much deviation as was the case when the heroes were in their civies, can really loose the visage you’re trying to emulate.

My editor always asks us to say something nice about a book. The Alex Ross cover RULED!!!! Would love to get a version of his ’66 Batman for my man-cave, assuming it is minus this book title, sans the Green Hornet  and adds an in her prime Julie Newmar.

FUTURES END 2: D List Characters/A List Quality

futuresend2coverFUTURES END 2
Writers: Brian Azzarello, Keith Giffen, Dan Jurgens, Jeff Lemire
Artist: Jesus Merino
Publisher: DC
Reviewer: Rob Patey (aka Optimous Douche – Ain’t It Cool News)

I fear my review for issue 1 of FUTERS END came across much harsher than I intended. I have some grudges still for some of the new 52 character iterations and at the end of the day I need to take the same harsh pill I l jam down the throats of others who have issues with character changes I could care less about, in essence “time moves on, get over it.” But when it came to characters like GREEN ARROW and STORMWATCH my rage blinded my objectivity, for this I apologize to DC and more importantly to you the comic buying public.

Instead of my paragraphs of ranting about where characters had been, I should have focused where they are now, which unveils the intent of FUTURES END – clean deck amidst a yarn of time travel, treachery and yet another redefining of the word superhero.

I will dare say this second issue truly moved me. Building off last issues demise of a now bearded Ollie Queen, the few superheroes that still have solidarity five years from now come to pay their respects. It all comes across as a truly heartfelt endeavor as Animal Man delivers a truly beautiful eulogy for a relationship we’re just getting introduced to over in JUSTICE LEAGUE UNITED (yes, this book will want you to reassess your feelings on JLU 2 also dropping this week). It was during these moments that I felt my Giffen and Jurgens of old appear from seemingly the ether. The follow-up dialog to the eulogy where Firestorm is confronted about choosing a booty call over league business was so reminiscent of the JUSTICE LEAGUE INTERNATIONAL of my youth it inspired me to pleasure myself to the Bangles “In Your Room.”

The source of venom aside from Firestorm’s negligence was our first introduction to Mr. Terrific five years from now. I don’t get the transformation, but he is now far more Kanye than his New 52 beginnings of Will Smith. His outing of secret identity for a better Q is store is very different from the cerebral detective who was exiled to EARTH after low sales. The JUSTICE LEAGUE has always had a hard time getting along in the New 52, but there is enough friction in the future to power Cleveland.

I hate to call this book the D-List parade, because it diminishes the quality. Even though these characters had a bitch of a time supporting their own books, mashed together they are pretty great. Throw in a high B+ lister like Batman Beyond beginning his break into Brother Eye, an inquisitive clue dropped to Lois Lane, and the shroud lessened a bit around our ultimate villain, the plot really did move despite the maudlin mentioned above.

Also, Jessus Merino drew the hell out of this, again…the funeral…the funeral.

It’s also nice to see another weekly done good like BATMAN ETERNAL. As opposed to done bad like COUNTDOWN. Personally, I don’t care if it takes 14 writers and 12 monkeys on aderal to get a book done, as long as they all mesh.

These guys mesh.

BATMAN #28 Review – No Awful Waffles Here

Batman 28 CoverBATMAN 28
Writer: Scott Snyder
Artist: Dustin Nguyen
Publisher: DC
Reviewer: Rob Patey (aka Optimous Douche -Ain’t it Cool News)

For anyone who has bitched and bemoaned the New 52, plug your piehole because your universe is back…sort of.

In a time only alluded to as “soon,” BATMAN 28 catapults us in time from last issues Zero Year escapades to a time about 5 years from now. I applaud all of DC for holding this one close to the vest, not only did I see the two major players of this issue appearing, but I also had no idea BATMAN ETERNAL was going to take place in the day after tomorrow. When I interviewed Snyder at New York Comic con ’13, he mentioned ETERNALS would focus on the side characters in the bat-universe, but didn’t once mention who those characters would be or that they would be future incarnations.

So who’s here? How about Harper Rowe for starters. Our little friend from the narrows is a bit more grown up and fighting the Gotham imposed police state tooth and nail as the character BlueBird.

While Batman shows up in this issue, he’s far from the star. He only appears after Harper is deep inside the layer of Gotham’s new kingpin of crime, Catwoman. That’s right kids the “will she, won’t she” rooftop tussles of early 52 books have resulted in a Selina scorned.

Why exacty  is Harper scratching her way into Catwoman’s layer. Apparently in the future the Narrows is a place of mass infection with a disease that makes Ebola look like a head cold. The only one with the cure for this plague is the Cat.

The surprises don’t end there though. When Selina opens the safe holding the cure, we see the one and only waifish waffle lover Stephanie Brown in a scene from a bondage flick.

/End scene

I refuse to hate on the New 52. The best way to be seen as an old codger is to simply dismiss anything new as rubbish. Have all the choices been my cup of tea? No. Is a 39 year old man DC’s sole demographic – FUCK NO! While I would never be so naïve to request perspective from a comic book audience, I will say it’s a fool’s errand to lament time, and a blond man’s folly to ignore that which you don’t agree with. With BATMAN 28 I truly believe the New 52 haters could find a home at DC again. Also, if this truly is a secret glimpse at BATMAN ETERNAL, then you might have a home moving forward. For Gen X, this is the DC we imagined as kids. Where Bruce would be a healthy Boomer greeting people at Wal-Mart by day and guiding the next generation of crime fighters at night. While Bruce is a little closer to 50 than 60 in this “soon” time, I’ll take it. Greta book and a much better teaser for BATMAN ETERNALS than past efforts. I thought for sure the thing was going to be a modernization of G.C.P.D. Now that it’s a future look, this Elseworlds boy is hella sold for the first issue. I just caution Tynion to ensure he doesn’t copy BATMAN BEYOND as he zooms Back to the Future

 

 

EARTH 2 ANNUAL 2 REVIEW – PROOF DC NEEDS TO PLUCK A FEW MORE VIBRATIONAL STRINGS

earth 2 annual 2 coverEARTH 2 ANNUAL 2
Writer: Tom Taylor
Artist: Robson Rocha
Publisher: DC
Reviewer: Rob Patey (aka Optimous Douche. Ain’t It Cool news)

Yup, I’m back again to get in all y’alls face places about EARTH-2.  I’ll get on my alternate reality soapbox in a minute, but first the platitudes. Tom Taylor has no proven he doesn’t just get alternate realities, he simply gets what makes an amazing comic. This issue will make you feel more for Batman (yes even despite the slight view askew vibrational differences in “canon”) as a crime fighter, a man and a son than we have seen in a very long time. While the character of the new Batman is new to Earth 2 continuity, this issue quickly catapulted him to the top of my favorites. I say this after screaming “Are you fucking kidding me?” when he appeared a few issues ago. I applauded the decision to kill off the holy trinity in Earth – 2 and giving the Golden Age Justice Society new relevance post FLASHPOINT. I did not want Batman, now moving forward, I don’t want to see this book without him.

We’ve seen this alternate twist on Batman before, most recently in FLASHPOINT. Yes, it’s Thomas Wayne under the cowl. However, in this timeline, Martha did not become the Joker, and Tom’s deviances run much deeper than the pursuit of the all mighty dollar.

What we haven’t seen is Thomas this authentically demonized before. Thomas is a junkie…and he’s still using while he is Batman (get to  more on that in a sec). Personally, I’ve been waiting for a hero to arise with this much of a monkey currently on his back rather than a forgotten memory. The visible pain makes the act of contrition, like becoming Batman, much more impactful. 

One of the reasons this resonated so deeply for me is DC editorial’s courage on this book to cement the age Earth-2 and all of its residents. We are given the point black exact year when Joe Chill “kills” the Wayne’s in Crime Alley (1979). We know the exact date that Thomas met Dennis Falcone and saved his life, the exact moment he met Martha, and the first time the three of them shot up some medical student procured Laudanum (1971). We are bestowed with crystalline accuracy the moment Batman, the true Batman is born (1973), and the day he discovers that Thomas faked his death so he could begin to pay for the deadly events his selfishness put into motion (1994). This issue made me realize how just damn important time is in making a story matter. Without it we are more trapped in amber than and regurgitation of plot lines could induce. If UNWRITTEN tells us anything, fiction is as real as we are willing to make it, and we will only make it real if it has the courage to reflect the same constraints we face day-today, of which time is the greatest.

For all of the naysayers who say there are no consequences because it as an alternate reality, I say the problem is with your system of beliefs. Consequence is merely measured by your own aesthetic distance. Also, I’d like to say the word “reboot” and clarify that it’s mere existence means there is no true continuity to any of the major iconic branded superheroes living in the main book titles. This is honestly the perfect place for anyone who loves DC, but has been put off by the changes in the New 52. The dark pall that has been cast on Earth Prime is absent from this land. There is still a Great Generation beacon of optimism to this alternate earth despite the Darkseid attack that obliterated Superman, Wonder Woman and OG Batman.

And after we learn that dark version of the new Batman’s past, that optimism shines through at the end. If anything in our world right now is hunky dorey, it’s the lives of the Baby Boomers. They reaped the spoils of the last great economic boom and they are in wayyyyy better condition than their parents were in their mid sixties. Now of course our parents couldn’t be Batman for their second careers (that’s why they clog up the entrances at Wal-Mart with their cute blue vests), but Thomas can thanks to a drug that gives him the vitality of Bruce for an hour at a pop. Discuss amongst yourselves the Hourman nature of this change. Personally I think batman is much more than physical prowess so I’m OK, with a more cerebral father figure to guide Red Tornado Lois and Aquawoman back over in Earth-2 proper.

If you were on board for the concept of EARTH-2 when it was released in the New 522 Second Wave, but for whatever reason didn’t jive with Robinson’s writing, there’s a new sheriff in town. I will caution though to NOT rejoin the EARTH-2  main title right when Taylor took over a few months ago. It’s too abrupt as Taylor took the book over almost mid-page from Robinson in the middle of the arc. I just finished EARTH-20 and I can say that’s a safe place. Yes, even with the confusing statements I just made about red Tornado Lois and Aquawoman. If you’re a DC fan of old, you’ll get it quick enough.

I usually wish my favorite new creators Godspeed to loftier titles or places of power within comicdom, but I am selfishly going to hold back that adoration for Taylor. He has truly created wonderful alternate universes for DC with first INJUSTICE, and now EARTH-2. In a time when ELSEWORLDS are a forgotten memory, Taylor is my crack dealer and I will gladly buy all the wares he wishes to peddle. If he can muster the story prowess from his well spring of creativity, DC would be wise to resuscitate a few more vibrational strings along the quantum plane.

FOREVER EVIL 5 ADVANCE REVIEW – So Evil Your Pinky Won’t Leave Your Lip

forever evil 5 coverFOREVER EVIL 5
Writer: Geoff Johns
Artist: David Finch
Publisher: DC
Reviewer: Rob Patey (aka Optimous Douche – Ain;t It Cool News)

The slow drums of Evil we’ve been saying have taken too long to hear in the distance are now a Neil Pert, ear bleeding, arena rock solo. This issue is brimming with so much eeeevvilll, you’ll find your pinky trying to attach it self to your lower lip.

While I’ve loved the juxtaposition of rooting for the bad guys, there has been too much set-up and not enough ass kickery in this series thus far. Issue 5 rectifies all. We finally shift full focus from the Justice League doing time in Firestorm’s mind to an all out real world fight for survival.

When last we left FOREVER EVIL proper Batman and Catwoman had just ran into the Luthor League and then all of them were jumped by Deathstroke and the other sell outs to the Syndicate. Quick side note, more Luthor and Bizarro in main continuity please, comic gold watching Ego and the Bear interact. While on the other side of the subterranean world, Sinestro set his direct sites on the pussified Green Lantern, Power Ring.

I’ll save you the suspense; Sinestro takes out the anti-Hal in one of the most creative ways I have ever seen. Kudos to Johns for imagining this scene, and to Finch for rendering the bloody, stumpy, aftermath. The big mystery to be seen next is who will get stuck wearing this asshole ring until death’s sweet release.

The ultimate tension though comes in the form of “who will lead this ragtop group forward.” Batman’s arrogance by insisting he must lead the crew because killing is bad (hmmmm kay?) was charming if it wasn’t so blatantly naïve. It did set-up a notice zinger for Catwoman though. Luthor is of course in charge and his ranks swelled after Deathstroke’s team is…liquidated and in some cases liquefied.

Once ranks are settled Johns wisely takes us back to the Syndicate (a presence we needed a little more of in all the Crossover titles IMHO). These guys have transcended beyond their initial pastiche. Their own private melodrama is actually way more intriguing  than watching them simply overthrow. I would honestly read an EARTH-3 book (get writing DC or I set up a fanfic blog) if this dynamic of lies, adultery and general deceit has always been their norm.

My only complaint with this plot and action driving issue is the Malcom McDowell slayer on the last page. That’s right folks, the entity that destroyed Earth-3 is also responsible for bringing together Picard and Kirk. The Nexus is here in all of its ELO album cover glory. I hope there is something really really dark behind that pink ribbon and I don’t mean Guinan.

BATMAN 25 REVIEW – Zero is Hero for Continuity

batman25 coverBATMAN #25 
Writer: Scott Snyder
Artist: Greg Capullo
Publisher: DC Comics
Reviewer: Rob Patey (aka Optimous Douche - Ain’t It Cool News)

Personally, Zero Year is EXACTLY what I wanted from the New 52. It’s clear, concise and the continuity is seamless. Take last week, for example: a superstorm threatens Gotham and Metropolis, and our heroes in both towns are being molded by this force of nature, one internal and external crisis at a time. If you want the inward reflection I highly recommend last week’s ACTION annual as Clark tries to wrestle a storm. The outward forces shaping came in the form of DETECTIVE where we see a young(ish) Jim Gordon dealing with corruption in the GCPD as the storm and Gotham’s blackout rages on.

There’s nothing big or bombastic like Parademons. It’s giving us time to get to know the characters – an osmosis of change instead of a slap to the face. It allows old continuity to carry over organically, in an explained fashion. Zero Year is my start of the New 52, even if historians end up disagreeing. I also think it’s a salvation for any fans who felt shunned post-FLASHPOINT. I’ve talked with a lot of fans, I’ve heard a lot of grievances about the “youth”anizing of our heroes, I’ve heard (and agreed with) the confusion caused by the 5 years before in some titles and the present in others. Zero Year is the fix, folks. Please come back–the universe is far more welcoming right now.

Zero Year also lets DC keep FOREVER EVIL humming without the oft fan complaint that other books aren’t acknowledging the event. Whoever’s idea this “event” was, you deserve blowjobs while eating ice cream.

The last arc of BATMAN introduced us to a pre-faceless Joker. Now, the Riddler is the focal point, but at the same time isn’t. As much as he is the overarching villain causing the blackout in Gotham, sending Batman on a goose chase of epic proportions, other forces seep into play to provide nice vignettes against the grander threat.

Our two new introductions come in the form of one Pamela Isley, a young botanist intern who is on the crime scene when some scientists are force-fed bone growth serum that turns them into marrow trees. Fangeezers can guess where this is going, but the mystery for noobs is firmly in place until Isley gets her foliage on.

The other threat is a resurrected Golden Age baddie by the name of Dr. Death. He’s made a few appearances in the new 52, but they have been few and far between. They’ve also never been this gruesome and in your face. The thing I liked best about this character is an origin shrouded in book-end mystery. The book opens with a flashback of a unit in some desert shithole uncovering a trap door. Flash forward to Gotham, the blackout, Isley bones and a turncoat Lucius Fox possessed by death. Then we flash back to the desert shitscape with a Humvee simply driving away from the mysterious hole.

A grand story driven by smaller beats has been missing from this universe for too long. As much as I enjoyed “Court of Owls”, I’ve been reading comics for 30 years. My brain could fill in holes or back story to make the proceedings come alive in a way a new reader couldn’t.

Before I walk away, two more things. Capullo did yet another amazing job on the art duties. He truly gave the piece a differing tonality between the bookends and main storyline. Snyder also did a great job coordinating the events of last week’s DETECTIVE COMICS #25 for synergy with the man who is Jim Gordon. While cynics will say DETECTIVE was just the origin of the bat signal, there are subtler beats redefining Gordon as a person.

With wafts of Frank Miller’s DARK KNIGHT RETURNS, I’m far more intrigued by this latest BATMAN “Zero Year” arc than I was the last one–and I loved the last one.

EARTH 2 #17 REVIEW – Tom Taylor Rules ALL Realities

earth 2 17 coverEARTH 2 #17

Writer: Tom Taylor
Artist: Nicola Scott
Publisher: DC Comics
Reviewer: Rob Patey (aka - Optimous Douche Ain’t It Cool News) 

Let me just start with the fact I’m a fan of EARTH 2. Actually, I’ve always been a fan of all alternate realities, especially the ELSEWORLD titles that helped give us engaging stories when main continuity had entered the dark ages.

While I was initially a naysayer of the New 52 EARTH 2, basically because it was born to keep 52 titles on the shelves versus its original incarnation to provide a home for the aging Justice Society, I jumped in anyway. I was surprised to see it truly was a different world; far more advanced technologically, a world government (something that just makes sense in an age of heroes) and, most importantly, the Trinity was executed when Darkseid invaded it seems every Earth in the “5 years before.” Was it slow at times? Sure, but anytime you’re introducing a political and sociological infrastructure to new readers the action is going to take a back seat. Just look at the “Star Wars” prequels for indelible proof.

Now, the baton has been passed from Robinson to up and comer Tom Taylor. I’ve been singing Tom’s praises since I discovered him on the comic/video game tie-in INJUSTICE: GODS AMONG US. I then discovered Tom did a great indie adventure book called THE DEEP, an underwater title akin to “Lost in Space”, which is now in negotiations to be made into a cartoon. On the DC side, Tom gets alternate realities. With INJUSTICE he’s told a riveting tale of a totalitarian Superman policing the world and has garnished it with clever character-appropriate dialog.

With EARTH 2 #17, Tom is thrown right into closing out Robinson’s last story arc–an odd choice when shifting writers; usually the newbie is allowed to start fresh from square one. However, Taylor picks up the attack on Steppenwolf (Darkseid’s leave-behind from the attack 5 years ago) as the World Army invades the nice little chunk of land he absconded. Tom does get two new characters to play wit,h and I’ll be honest, this was a big WTF for me. The reveal is that Superman and Batman are back. If you want to know a little bit more about these characters I highly recommend SUPERMAN/BATMAN, which chronicles an encounter with their Earth Prime counterparts in a time before the Darkseid invasion.

Well, at least we are led to believe it’s the original two, but I have my doubts. Maybe Batman is real, but as I watched Superman eye-laser Steppenwolf in half, I have serious doubts this guy is the real deal.

I hope Taylor can bring a little more notoriety to this title. It’s a well-built world that I think has festered at the feet of more easy press pushes. It’s also well done from a character standpoint. While our golden oldies have been updated for a new age, they hold many tenets of the Great Generation since their world is…well, a shitload greater and grander than ours. Finally, Nicola Scott deserves to get more eyeballs; the pictures in this title have always been grand and great where appropriate and perfectly subdued in quieter moments with the likes of Dr. Fate.

I normally don’t recommend new readers jump in mid-story like this, but if this really does signal the return of two thirds of the Trinity, I think these inception moments will resonate into the next arc and beyond.

New York Comic Con 2013 Day One Report

Valiant Booth130,000 – Take a minute to absorb that number. This is how many fans descended upon the Javits Center two  weekends ago for New York Comic Con, or #NYCC if you followed the great Twitter hijacking “conspiracy” that brought this geek coveted event into the eyes of the mainstream (read agreements folks, don’t just click “accept”).

The number isn’t as big as the San Diego draw, but the sheer concentration of fan love can’t be denied. When the top selling books these days clock in at 300,000 copies, 130,000 fans paying homage is a fairly dense representation of that love. Sure there were a shit load of girls wearing fuzzy cat ears and tails, widening their eyes and meowing in a reverse anthropomorphism homage to cutesy anime, but the spandex set still clearly outnumbered all.

star-trekKahn…I mean Con, the Undiscovered Country

For me, Cons are about unsung or at least under appreciated talent. I love the stuff done by Marvel and DC, but they get more than enough mainstream press they really don’t need any more. The Marvel booth was practically impenetrable as fans lined up to sniff the seat of Agent Coulson’s Stingray convertible. Also, Marvel really doesn’t give two shits about talking to press. DC offered us plenty of opportunities to do interviews like my one with Scott Snyder, but again their antithesis of Marvel’s press hate mantra allowed me to cover most of their announcements even before the con opened its doors.

Show Floor Javits CenterHere’s a basic map that shows how I hit the event. My feet became a cacophony of blisters as I traversed from creator shifts between artist alley and the main floor. Actually, the big company booths on the main floor were not the place to really get face-time with creators. They were managed tightly by PR wonks and hired hands to get books signed and keep the line moving.

I did however have a few good conversations with some brave indie souls willing to spit in the face of ROI and buy a footprint in here in the name of awareness. Here are a few of the folks that caught the ole’ Patey eye.

first law of mad science oliver metzFIRST LAW OF MAD SCIENCEDon in a lab coat and cackling like…well a mad scientist at passersby, I couldn’t help but give Oliver Metz and his books a moment simply on the “A for effort” principle. FLMS is the story of a world where people are given cybernetic eyes to enhance their field of vision. Made cheap, they become more common than lasik surgery with 2/3 of the world sporting enhanced vision. However, this eventually turns south as the eyes start to provide visions of little evil creatures. Four issues are out right now. Comp received – Full review coming soon.

telikos-protocolTELIKOS PROTOCOLThe imagery grabbed me on this booth. Really gorgeous stuff. The story is set 300 years in the future where the world is an ecological wasteland.  As a result we burrowed underground to form I, ROBOT (the book, not movie) like cities. Once underground and used to dark light we start sniffing around the sea bed where we discover alien technology that could deliver us to a new earth. Problem is the aliens lowjacked their shit and now they have come back to repo what’s theirs. Part disaster story, part alien ass kicking. I mentioned the really pretty art too right? Issues 1 & 2 are done and 3 is on the way. Hefty books as well clocking in at 44 pages. Pictured is writer Peter Cooper and illustrator Adam Burn.

Doctor Atlantis

DOCTOR ATLANTIS Written by Ian Ally-Seals and drawn by Carl Mefferd we set sail into high seas steam punk. The world is flat, the ocean is endless, Star Trek on the above Dave Jones’ Locker.

God Dyslexic Dog

GOD THE DYSLEXIC DOGI’m a dog nut, especially for retrievers. The pretty art drew me in (again), I can’t wait to dig into the story of God coming to earth as a dog who is adopted by a dyslexic dik…I mean kid.Comp received – review coming soon.  

 

Smoke break

valiant 8 bit cover pitfall

Matthew Wait (sic) – The dude that has been doing the 8 bit covers for Valiant. As a fangeezer I love this shit, especially the next ETERNAL WARRIOR one that for legal reasons we can only say is an homage to a game that rhymes with Schmitball.

 

Time to switch gears and head to Artist Alley. 

Ivan Dacosta IconsIvan DaCosta – ICONS is the name of the book Ivan put together that will coincide with a huge gallery exhibit in Brazil this November. The focus is letting today’s superstars like Rafael Albuquerque, Sean Murphy, Ben Templesmith and a 100 others unleash on their favorite characters and explain why they love them so. Produced both in Spanish and English this is one I can’t wait to dig into. The picture doesn’t do the sheer heft and density this book caries. Comp received – Full review coming soon

Justin-reich-baby-zombie

BABY’S FIRST BOOK OF ZOMBIESBabies are like zombies and turn their parents into zombies. I’ll admit, I went and spoke to creator Justin Reich simply because I love it when people actually tell it like it is when it comes to kids. I can’t really do a full review of it since it’s a kid’s book that basically correlates baby traits to zombie traits, but I can say it was damn cute. It was also a damn sight better than the crap I know my friends have to read their kids.

Luthor-Strode-Team

STRANGE TALENT OF LUTHOR STRODE TEAM – We love it and we’ve reviewed it a thousand times here on Ain’t It Cool. This is the book that got Jordan a chance at the big leagues. It’s kind of like KICK-ASS, but actually makes sense since the hero waits for powers before he puts himself in the line of danger. It’s also amazingly bloody and gory. Check out Justin Jordan and Felipe Sobreiro’s great work. The gang was also giddier than Japanese schoolgirls at the Hello kitty booths over being together for the first time.

hoax hunters

HOAX HUNTERS – Myth busters meets X-Files is eleven issues with a volume one ending at issue 13. Catch-up PDFs available for volumes one and two on the site. Pictured above creators Moreci and Seeley.


deadly class

DEADLY CLASSHigh school for assassins tale coming out in January from Image written by the great Rick Remender. Despite the obvious Wanted comparisons I’m willing to give anything Remender does at least one issue.

rocket-girl

ROCKET GIRL – Teen cop from the future who comes back to the 80s to whack down some time criminals. To add to kookiness it all takes place in an alternate 2013 where everything promised to us in Back to the Future actually came to fruition. Weird with copious 80s should appeal to all.  Or at least all over 35. Pictured are creators Amy Reeder and Brandon Montclare.

chris-claremontChris Claremont – Chris was a jovial sort, sharing some 80s work called MARADA THE SHE-WOLF being reprinted by Titan. Also, Chris is making his way back to X-Men this November to celebrate the mighty mutants 50th anniversary. Comp received – review coming soon

 

shane-davis

Shane Davis – Famed EARTH 1 artist doing some sketches and hocking a new book with Max Brooks from Legendary pictures promoting SHADOW WALK. Mark Waid writing, Max doing concept, Shane on art, yeah I’m in.

charles-soule

Charles Soule – A lot going on for this guy. STRANGE ATTRACTORS from Archaia, two mathematicians that turn NYC into a machine. More than it already is I guess. Charles was also pushing LETTER 44 from Oni Press. Click the link to hear our Podcast review of a President who gets a succession letter that changes everything.

Two Tangaray and tonics break. Back to the main floor.

kelly sue deconnik

Kelly Sue Deconnick – New comic PRETTY DEADLY from Image is a mythic Western coming out in October. It’s being released in the CRIMINAL mold with five issue arcs.

patrick-riley

Patrick Riley – THE MISADVENTURES OF ELECTROLYTE AND THE JUSTICE PURVEYORS is a superhero who…cures hangovers. There’s also a telepath who can only finishes sentences, a shrink hero that is not more than a mite and a billionaire who uses his money to bribe criminals not to commit crimes. Six issues and a trade are now available.

 

 

 

josh-ortega-greg-goldsteinMy feet blistered and shoulder sore from overflowing man bag, I went back to my hotel Yotel for a shower, a foot soak, and power nap. The evening ended spending some time at the Toy Tokyo Underground launch party of THE OTHER DEAD from IDW. A good time, but alas I was exhausted. I drank three complimentary ales and quickly proceeded to crash for Day Two festivities. Pictured are writer/creator Joshua Ortega and IDW President /COO Greg Goldstein.

 

Scott Snyder Unchained – New York Comic Con Interview

Scott-Snyder-Rob-PateyHey hey everyone. Not a lot of pre-amble required here. I went to New York Comic Con and jumped into the first slot I could get to speak to one of the most influential voices at DC and in comics; Scott Snyder.

Rob Patey (RP): How you doing man?

Scott Snyder (SS): Running on fumes. Do you need me to stand is this another video interview?

RP: No this is Ain’t It Cool, I’ll be recording on my palm pilot and taking a lithograph at the end. So you’ve written BATMAN, SUPERMAN UNCHAINED, AMERICAN VAMPIRE…I know I’m forgetting something what is it?

SS: THE WAKE…

RP: Right, underwater horror with Sean Murphy. And the recently announced BATMAN ETERNAL.

SS: That’s right.

RP: Excellent, so what’s happening in BATMAN ETERNAL?

SS: Well, it’s the first time we’ve tried a weekly series, which excites me. Writing-wise I’m really only involved in the first arc of it. In terms of terms of design and structure I wrote the bible with James Tynion who is just a mastermind of story. He writes TALON and RED HOOD and some other exciting stuff coming out this year. So we plotted out a giant story that would really transform Gotham and be a very very bombastic big sensational game changer of a narrative.

batman-eternalWe then decided to invite a bunch of our favorite writers in to tell their arcs on any characters or elements of Gotham that they want as long as they pushed the main arc forward a little bit. So the big story is rolling with all of these small turns about your favorite villains, gang wars, GCPD. All of the things you can’t deeply explore in BATMAN because he has to be center stage all of the time.

RP: Awesome, I was just talking to James in artist alley and he’s really stoked to be doing this book. You guys have done a lot of books now together, how did you guys hook up?

SS: He was my student in a writing class seven years ago. I really loved his stuff and he was a huge comic fan. I then started teaching comics, so we stayed in touch and he sent me some of his scripts and I really needed help with the back-up stories in BATMAN. So I thought those would be good training wheels so he could get in the door. And now the grasshopper has become the master and the teacher. He’s a man I now admire as a colleague. It’s been inspirational to the teacher in me to watch him grow. The stuff he has coming out this year is really thrilling.

RP: You recently just farmed out a bunch of AMERICAN VAMPIRE stories in the midway anthology that came out. What’s happening for the future of AMERICAN VAMPIRE building off that book that took us into the 1960s.

SS: We’re coming back in March actually. I’m literally back from the AMERICAN VAMPIRE Bloody Mary Brunch. The next arc will be bringing back Pearl, Skinner, Felicia, the vassals, the Dracula character…everyone comes crashing together again in the first arc.

RP: So what year are we in?

SS: 1967, it’s going to be Easy Rider meets Straw Dogs, meets the Magnificent Seven. At least that’s how I think of it. It’s a mish mash of all my favorite 60s fun and violent films.

RP: So the series is going to keep advancing through time, no pauses for a prolonged period?

SS: We were just talking about this at the brunch; the series is going to come all the way up to the present. There is a gigantic cumulative finale that’s been in the outline since day one.  We’ve always known where it’s going to end. The thing that’s been surprising to Rafael Albuquerque and our editors is that along the way we made up characters that we didn’t think would have their own stories, like Calvin or Felicia or Gus even. Bit now they’ve become so important they’ve earned their own arcs. We’ve known the main road from beginning to end, but we’ve also been able to take these side paths along the way that have been incredibly exciting.

AMERICAN VAMPIRESo it’s going to be Cycle 2, number 1, really really big relaunch. When I gave up AMERICAN VAMPIRE because I had SUPERMAN and BATMAN, and Rafael had some stuff he wanted to do, I figured it’s not a big deal; we’ll just come back. Now, I’ve always struggled with anxiety and depression and giving up AMERICAN VAMPIRE was really psychologically difficult for me. I did not see that coming at all. It was very tough those first few months off. I thought at first it was because I didn’t have a creator owned, but I did have THE WAKE, which I love. I was still down…anxious. I finally realized I simply missed the characters and working with Rafael. I was frustrated. So I couldn’t be happier to coming back or more grateful to fans who have been very vocal to us personally, privately and publicly.

RP: I’m one of the public ones who yelled SNNNYYYYDDDEEER like Kirk when I heard about the hiatus.

SS: It really means a lot man. We cannot wait for you guys to see what’s next. From the bottom of my heart it’s the best time I’ve had on a book.

RP: This next question is from one of my four fans, how do you want your time to be remembered at DC 20 years from now?

SS: Oh my God, that’s a tough question. I have a golden rule in the class I teach, it was told to me by one of my first teachers, “You can only write the stories that you want to read more than any other when you leave this room.” It doesn’t’ have to be he smartest, best or funniest. It just has to be the one you want to have read because it means something to you personally. What I hope is that people look at the stories and see that’s the compass we’ve used on these books; from BATMAN to AMERICAN VAMPIRE to THE WAKE and SUPERMAN UNCHAINED. They might not be the best stories in t8eh world, but these are the ones that affect me personally as I’m writing them. I hope that shows.

RP: How hard was it taking on BATMAN in the context of the New 52, being one of the few titles that brought over baggage from before FLASHPOINT?

SS: Very hard and super intimidating. When I took the gig I thought I was going to be writing BATMAN seven hundred and eighty whatever and then they told me after I signed on it was going to be BATMAN 1. I had kind of half nervous break down about it. Super intimidating, especially to know you’re building the mythology from the ground up.

It basically came down to talking to the other Bat writers and deciding what thing we wanted to keep and what we wanted redone. Over time it became clear that the origin itself couldn’t  be kept because of the changes in CATWOMAN, in BATGIRL and other books. BATGIRL is now Jim’s biological daughter so that changes things. James Jr. if he’s born 6 years ago, like in YEAR ONE, he a child. Well, he’s not – he’s a full grown adult.

RP: Who is also utterly insane.

SS: Right, the Falcone and Maroni families all have different histories as well so these pieces just don’t fit together anymore and DC was adamant that we need a new origin. It is baggage and there are a lot of things from continuity that are still there from KNIGHTFALL, NO MAN’S LAND, CATACLYSM, which I love, and I keep that in mind when I’m writing. We just really try never to address them and simply go forward with new stories. This is a Batman born in modern day and even though those stories are there this is our version and will proceed as they would be told in modern context.

RP:  Where did you come up with the Court of Owls?

SS: I came up with it because I grew up in New york, on the Lower East Side. I always loved going out to the South Street Seaport, I live pretty close to it. I don’t know, I always loved the idea you can know the factual history of your city or neighborhood it self, but you never know the lives that were lived there. So it’s always fascinated me, this notion of Batman knowing the city better than everyone else. So you can know the geography, the present day sociology, but you can’t know the lives of generations over generations. So what of we built a mystery that exists inside those crevices, the secret layered history. The catacombs of Gotham almost. That would be something that we should Batman to his core, because he would realize he didn’t know the city as well as he thought. It’s a haunted and changing city, the past is fully unknowable, it’s the city looking at him and saying, “I’m a mystery and I always will be.” That was the impetus, then picking the right symbol. He owl idea spoke to me because of Owl Man and owls are predators Bats.

RP: Shifting gears, SUPERMAN UNCHAINED. What drew you to the character and the project?

SS: I’ve always been fascinated by the character. I love at the end of the day he’s just a guy trying to do the right thing. When I take on a new character I always like to go back to the origin material to see if there’s stuff that  excites me and I can turn into something modern. Sometimes you don’t find anything, but with Superman I was looking at the old stories about him fighting during WWII, you know throwing Nazis out of subs and being in the crosshairs of some Japanese warplane. The violence of those issues surprised me as well, he’s willing to kill. So, I thought what if there was a Superman that arrived seventy-five years ago on the anniversary of when ACTION 1 was released and he was actually the Superman that existed back then, but acting in secret until now. It challenges all the things that the modern day Superman has become and represents. Wraith is the ghost in history; he’s part of the machine, this kind of secret organization that does what it wants militarily. Wraith is the hand that pushes things forward in a creepy way. He’s an invisible force in history that changes things.

SUPERMAN UNCHAINEDSo, I wanted Wraith and General Sam Lane to be able to say to Superman, “You like to think you’re above all of it, but this will end. As Clark, imagine going into the Planet 50 years from now, everyone will we dead. What’s he going to do? Start over?   You’re still going to be young, so why are you doing this? As Superman you float above all of it, saving kittens and stuff, what’s going to happen when North Korea or someone does something cataclysmic and you don’t want a bomb to be dropped? You’re going to evacuate everyone and become an enemy of the state so both of these identities can’t last so you might as well come over and actually be the person you’re supposed to be a Superman of a country. Otherwise you be welcome in any country and they will try to kill you. So that’s the idea on how to create something new while bringing in all the old characters like Lois, Jimmy and Perry.

That’s it folks keep an eye out for Scott’s new releases and return to yore as we move into 2014.

MY DREAM STORY FOR BATMAN ETERNAL: I want to close out with the story I would most like to see in BATMAN ETERNAL and I want all of you to tell me yours. (No I didn’t bother Scott with this.

The Women of Batman. They all love him and they all need him in some way; Catwoman in an animalistic way, Vicki Vale career wise and in a hero worship sense. How do the other men or significant others in these women’s lives compare to the Bat and what does it do to those people who try to get close to the ladies while they hold a torch?

 

SUPERMAN WONDER WOMAN 1 REVIEW – A Date with DOOMSDAY

SUPERMAN WONDER WOMAN 1 COVERSUPERMAN WONDER WOMAN 1
Writer: Charles Soule
Artist: Tony Daniel
Publisher: DC
Reviewer: Rob Patey (aka Optimous Douche – Ain’t It Cool News)

I learned one truism when I got married 13 years ago that I find holds water in about 90% of relationships, “Women marry men hoping they’ll change, men marry women hoping they won’t.”

I think Charles Soule agrees with me, because as perfect as Superman is, Wonder Woman is damned and determined to make him better. He’s powerful, but untrained. Good of heart, but unwise towards the world. He’s the greatest man to walk the earth, but needs the veil of mediocrity found in Clark Kent to honor his earth upbringing. These are the things Wonder Woman plans to fix. Honestly, I smelled wafts of an impending break-up between these two powerhouses more than I saw the buds of a relationship ready to flower. Because while men are capable of change, the process is slow and no matter how much we love, certain tenets of the self can not and should not be changed. Wanting to live a life of humility and simplicity is a much different personality trait than not hitting the laundry basket or leaving the toilet seat up. Hell, Clark isn’t even willing to show Wonder Woman his frosty bachelor pad much less clear a dresser drawer or make a giant pink key for her own entry.

This book is the deep emotional and character deep dive I’ve been begging for from books like JUSTICE LEAGUE. I get it, JUSTICE LEAGUE is an all-ages bombastic battering ram of conflict, to take a quiet respite like SUPERMAN WONDER WOMAN 1 portrays in its first issue would probably upset a lot of Fanbabies. Fangeezers though, who have been tempered by years of co-habitation with the gentler sex actually appreciate books where we see how this life of frenzy actually affects them as human beings.

Don’t think for a second this issue is without action. Soule’s pacing coupled with Daniel’s able art bops us back and forth between these discussions of self and the harrowing heroics of rescuing an entire naval battalion of naval forces from impending doom. While the issue starts with Wonder Woman getting in some gal talk during a sparring session with one of her fellow Gods and Clark trying to manage Kat Grant’s ambition for their Huffington Post knock off, Soule perpetually thrusts the book forward from earlier to now to show some great plane crashes and the complete destruction of a naval carrier.

The threat at first seems to merely be a nasty whirlpool created by some thermal dynamics at the bottom of the ocean. What causes that heat though, is a threat as old as Nirvana.

Doomsday is back folks and Daniel welcomes him with some massive scale carnage that will turn the stomach of even the most stalwart horror fans. I’m of two minds here, and part of my apprehension stems from New 52 continuity versus what we’ve known for years and the issue DOOMSDAY 1 during Villain’s Month.

I’ve never been clear on whether  Superman has ever been fell by Doomsday’s massive meat hooks in New 52 context. The entire “origin” of Doomsday took place on Krypton as a young Kara is told of her Aunt’s battle against the creature with the help of Zod. However, the book of El also relays a prophecy of a day when Doomsday will return and kill  the house’s greatest champion. During these scenes Superman has a mullet, which we all remember from the 90′s,  and he looks much older than his New 52 visage. Who the hell had a mullet between 2006 and 2011 and didn’t live in an area still waiting for cable TV? I know, I know, comic time is it’s own beast. but at what point do we cry uncle from the confusion. Did the book of El tell of a time yet to come? Will mullets and perms be all the rage in 2014? It’s the problem that comes with trying to reboot, while still keeping pieces of your old boots on your feet. 

Even though it has never been implicitly stated, I believe Superman does know Doomsday simply by a recognition of fear in this issue. I’ll also assume his death did take place between in the five year before dark time.  It doesn’t jive with JUSTICE LEAGUE behavior in later arcs of the New 52 nor what actually happened during his death in 93 (that Justice League was not the new one by a long shot. I mean Booster Gold and Blue Beetle anyone?). All of this would sit better if the artist and DOOMSDAY 1 simply skipped the oh so 90s character renderings, but whoever said comics are for the hyper-literal (even though we all go there).

Misgivings and continuity nits aside, I’m happy with SUPERMAN WONDER WOMAN from a sheer content standpoint. I’m not happy about having to buy another book each month or the face FOREVER EVIL is completely ignored, but again that’s comics. I guess sometimes the needs of the one title, do outweigh the needs of the many.