Tag Archives: marvel comics

Spoiler Alert Comic Books Podcast – OLDTRON EDITION CHAPTER 11: Josie and the Pussycats, Blue Beetle, Titans Rebith, Frostbite, Surgeon X, Totally Awesome Hulk

Comic Book Podcast


Welcome to the Spoiler Alert Comic Book Podcast. I’m Rob Patey, often known as Optimous Douche from AIN’T IT COOL NEWS. My counterpart is Mark L. Miller, my comic life-mate and editor on the same aforementioned AIN’T IT COOL comics. Our third wheel on this podcast tricycle is Johnny Destructo of CultPopGo Podcast network. His wife actually stayed with him for a year, to celebrate he bribed her with an anniversary.




  • 3:05 – Emails & Comments from the Web – How to sell comics? Why does Marvel keep doing events? How would we plot the new Supersons?  Are you there God, it’s me Robert?
  • 34:00 – Josie and the Pussycats 1 – Archie Comics – (W) Marguerite Bennett & Cameron Deordio (A) Audrey Mok
  • 42:00 – Blue Beetle 1 – DC Comics(W) Keith Giffen, (A) Scott Kolins
  • 50:00 – Teen Titans Rebirth 1 – DC Comics – (W) Ben Percy, (A) Jonboy Meyers
  • 1:00:00 – Frostbite 1 – Vertigo Comics – (W) Joshua Williams, (A) Jason Shawn Alexander
  • 1:08:00 – Surgeon X 1 – Image Comics – (W) Sara Kenny, (A) John Watkiss
  • 1:19:00 – Totally Awesome Hulk 10 – Marvel Comics – (W) Greg Pak, (A) Mahmud Asrar

Email us your brain stuff about comics – we’ll read it.


Comic Book Podcast

Welcome to the Spoiler Alert Comic Book Podcast. We explore comics, life, love and usually end up offending 4 out of 10 groups that feel oppressed. I’m Rob Patey, often known as Optimous Douche from AIN’T IT COOL NEWS. My counterpart is Mark L. Miller, my comic life mate and editor of AIN’T IT COOL comics. Our third wheel on this podcast tricycle is Johnny Destructo of POPTARDSGO, and that wheel fell off this week.




Bug goes to San Diego 2016
Bug finally gets to the Marvel panel – 29:00
ROM #1 (w – Chris Ryall & Christos Gage, a – David Messina) – 42:00
TITANS #1 (w – Dan Abnett, a – Brett Booth) – 54:00
CAPTAIN KID #1 (w – Mark Waid & Tom Peter, a – Wilfredo Torres) – 1:00:00
CIVIL WAR II #4 (w – Brian Michael Bendis, a – David Marquez) – 1:12:00
BATGIRL #1 (w – Hope Larson, a – Raphael Albuquerque) – 1:24:00
CAPTAIN AMERICA: STEVE ROGERS #3 (w – Nick Spencer, a – Jesus Saiz) – 1:34:00

Email us your brain stuff about comics – we’ll read it.


ASK ROB RETURNS: The Rise and Fall of Superheroes

A college student looking for thesis quotes recently tapped into my comic knowledge and over opinionated word salad with these comic book conundrums:

  1. Do you believe the current influx of comic movies or superhero genre films is a fad or something that will continue for the unseeable future. If you think it will continue, do you believe the films continue to adapt over time, fitting the culture and evolving?
  2. Why do you think comic properties are suddenly becoming so popular and profitable?

rob-patey-sad-faceGreat Questions Little Fella,

The superhero has already become passé as we see from the struggle in the big two comic companies to support ongoing continuity of story and character. The Bible never reached issue 900, because as we saw from modern day Jesus, Superman, when a comic becomes that long in tooth the character must change. For the uninformed, Action comics 900 was bemoaned because Superman essentially said America could no longer be his chief interest when the world is so connected. 

While logical, this does break the very foundation of a character who was inspired to give us hope in the face of a great oppressor. In a world where terror reigns supreme, and our greatest fears are the unexpected, a mind reader serves as amore soothing balm than some man in his underwear willy-nilly scouting the skies for danger.

Even the Marvel characters, the baby-boomer contribution to Americana’s new titans, are feeling the buckle of age with their first reboot of time (after many undeclared ones over the years). What was once the hip and cool comic choice with; super-keen Spider-Man, groovy X-men and happening Hell’s Kitchen characters, and awesome Avengers are no longer needed when Nerds are now cool, different is now the norm and the powerful are the object of envy as opposed to inspiration. 


Do collars change the hero?

Superheroes are like zombies, vampires and every other blip on the radar of our existence, a coping mechanism. The cape arose as religion waned throughout the 20th century, to supplant our saviors and inspire the now watered-down term, “hope.” 

These super legends will wane, because if you transform too much, the metamorphosis births them anew regardless of branding.

As for delivery to the masses and a superhero summer movie schedule in the foreseeable future, what do you consider that time period to be? The marvel machine is scheduled into the 2020’s. When the X-Wing flies into a portal and crashes eon Graymalkin lane. hell they could go into the 2030’s. Then Warner Brothers needs to do their half-hearted competitive attempt at thwarting that revenue stream. They will throw at least a trilogy into the fray and given their slow dev times, those movies will chug past the teen years of this new millennium. 

On question two, Superhero movies have taken over the cinema, simply because of technology. For years I have tried to make others see a comic book come alive as I did when I was four and bought my first Richie Rich. Panels, words, images flow seamlessly and scream alive in the minds of comic readers; those of us who also read books and see the world come alive. 


Example of people with no imagination.

As a being who lives in imagination more than Jackie Paper’s friend Puff; words, images and movies are all the same experience for me. My mind is so jacked, I literally have a movie screen playing all day in my head.  Some, actually many people, can not take the same figurative leaps of imbuing life into story. For the spoon-fed of this world, the stories we have read for years needed computer graphics for the telling. Look at early CG, like the 90s Fantastic Four movies, and tell me if it was at all believable (even in the context of the time). Then look at the Fox attempt a decade later, with better graphics and you tell me which is more immersive and plausible. 

Fantasy is a hard aesthetic distance for many to cross, they keep it at arm’s length because it can never be. For those individuals, superhero movies are new and finally of interest. They are a crutch into a genre that would have been impenetrable when the stories were first coming alive on the page.  


Comic Books: Are Gimmicks Grounding Story?



Dear Rob,
What’s your take on all the gimmicks coming out of DC Comics now?
 You seem to be a fan of DC but their constant stunts are killing me,  especially as I feel they are distracting from the core of what makes comics – good story. First a New 52.  Then 3d comic covers.  Then Selfie comic covers (!) and now a scratch and sniff comic (Harley Quinn). 
How about writing some good stories?  Wonder Woman and Batman (Maybe Aquaman) are the only characters that have managed to stay afloat in this new era of gimmicks.  Is there hope for change?

Great Question Foiled,

I’m taking this into two parts, because cover clusterfucks are a different situation than story!

On covers, c’ the fuck’ mon dude, you’re a fellow marketing wonk. Surely you know as well as I do that blurring the lines between quality of product, and presentation of that product are utterly independent factors. We know this because we do it every day for our masters. We don’t lie, but anyone wearing a marketing hat is most certainly an illusionist. Were this the 1970’s, one of us would have a pornstache and be wiggling our fingers like Doug Henning while the other one was picking audience pockets (or we could both have a pornstache, I didn’t mean to limit us).

DOUG-HENNINGAre we really going to begrudge our fellow marketing wonks at not just DC, but Marvel, Valiant and a million indies looking to scalp the same success? We get assed up because we love this hobby, but on the same token the marketer in me applauds each of these companies as kids and noobies come stare at these seemingly magic pages that move as you walk past. I’ll also admit, the comic collector in me becomes a bit less jaded as well because if this is the bait to widen our dwindling club, than so be it.

Now, I will says the chance of sustainable interest in the medium varies by cover:

  •  Valiant 8-Bit cover reminded them of Pitfall, will remember a time when people had to read for fun.
  • DC Pin-Up, Monster, Lego, Insert theme month here the person has a modicum of appreciation for art
  • Marvel Wolverine holo-foil will probably keep coming back every time a new Avengers trailer is released.
  • Looking to scratch and then subsequently sniff Harley Quinn’s beaver is the dude who walked in with his friend and will be blind from either alcohol poisoning or excessive masturbation shortly. Seriously those 4th wall breaking Harley Quinn one shots revel in awful…

So while the purist in me longs for a time back when covers were:

  • Indicative of the story inside
  • Not afraid to use a fucking word balloon
  • And were not a cacophony of color and needless posturing poses.

The marketer in me, the grown up, the suit, the man will not deny the numbers. Scott Snyder’s WYTCHES recently sold 90,000 copies with Image. JUSTICE LEAGUE 1 sold 350,000 copies. “Wytch” was the better story? It doesn’t matter. When you are battling icon to icon, noise and not substance is the key to swift movement.

Futures-End-Superman-1However, sustained interest and the making of comic collectors comes from quality serial storytelling,  and here is where I need to crash the second story in comic’s current house of cards. 

Comics are no longer printed for comics’ sake folks. When Gen X and before were kids, the sustainability of our favorite stories lived and died by how many floppies were sold. Today, floppies are R&D for the widening of dissemination into more lucrative revenue streams.

The fall of story for profit started with BATMAN BEYOND and trade pacing. If you look at today’s current universes and pacing of titles, the patterns are eminently obvious. We feel anemia in some issues because they are made purposely anemic to stretch out the page count. An editor must look at how these things will be collected for sale on Amazon since so few spinner racks exist anymore. It is the more portable and profitable means to an end. It is also a way to gauge the worthiness of content for animated cartoon, video game or the ultimate score of a movie.

If we look at MULTIVERSITY coming out of DC right now, it is truly the perfect follow-up to the decimation of the universe we saw in play four to five years ago around the time of FINAL CRISIS. The Monitors birthed 52 new worlds, which then instantly disappeared and turned into 52 titles about one earth.

Huh? Makes no fucking sense from a universal story perspective does it?

However, it makes perfect sense for a scared shitless Warner Brothers’ suit who got an M shaped pineapple shoved up their ass when the audiences didn’t give a rat’s taint about any of the 27 plot lines shoved into the GREEN LANTERN movie.

The New 52 was a lifeboat, not a rocket ship kids. As Mickey launches the Marvel brand into the billions of people served mark, DC needed to “youth”anise quickly or be euthanized by the WB corporate den of doom. Look at what changed and what didn’t. GREEN LANTERN and BATMAN were allowed to ignore FLASHPOINT because they were selling well and had movies in play. Look at the deluge of TV series that have come out from CONSTANTINE to GOTHAM. Each of these s steeped in the “freshness” of the New 52 to reach across the aisle at those who need imagination spoon fed to them.

MULTIVERSITY 1 COVERThis spoon feeding not only stymied the real DC New U of MULTIVERSITY, but has also obliterated an oft debated subject of tight universal continuity. With BATMAN BEYOND and the idea of series that live outside canon, publishers could ensure saturation into every demographic. Dark shit was going down in BATMAN during the late 80s and early 90s, and BATMAN BEYOND served up a younger dude who was way less morose and “deathy” than the days of broken backs and hunchbacks in the cave.

From that sincere broadening, we have the tainted “choose your own adventure” continuity we see today. Honestly, I truly believe I am a fool sometimes for reading as much of each universe as I do. Outside of Valiant, no one is doing a flawless cross. Now, DC takes the most hits because they made the most noise with their reboots. I look at Marvel as we close out 2014 though, and they are in just a bad of state as DC was pre September 2011. AXIS was a train wreck in a long string of who gives a fuck events this year that never interwove and now characters are being killed off for the sake of cutting off revenue streams from other studios. Wolverine is dead so that when Fox tries to do a movie in 2022, no 8 year old will know what the shit a Wolverine is.

I applaud the examples you used above for your vested DC interest. They are all great titles and if you look at each of them you will see they remained away from the taffy pulls of bringing the universe back to some semblance of good comic booking versus being a cross-media tentpole.

As for my coverage of books my formula is simple; “Review for those who care about what you say!” When I started reviewing comics for Ain’t It Cool seven years ago, DC showed an earnest interest in promoting my words and interacting with me on the then fetal social media channels. Geoff Johns would drop me a thanks for a review. Dan Didio accepted my friend request on FaceBook and I gathered some true fans for my work in their PR department at the time.

rob-patey-sad-faceDespite my reviews being an equal 33% DC, 33% Marvel and 33% Indie, it was always DC giving me feedback and asking for further reviews and forwarding .PDF comps. Marvel from creators to back office have never given two shits about my thoughts so I stopped trying. I’m not needy for affection, I am needy to effect change in comics. That only happens when the right people are listening.

The record will show, I have never pandered because of comps or favoritism. However, I will ALWAYS give you priority publishing the more time and money you spend in trying to get my attention. I may shit all over the book, which I have done from my beloved DC all the way to the ignore me Marvel, but I will cover it with keyword rich text for SEO awesomemsauce.

You say you want good stories, well then go write them my friend. I will never be arrogant enough to believe my views have directly affected the choices made in the industry over the past flew years, but I believe I helped trumpet a public zeitgeist of disdain for choices that helped all of our feelings be heard.

Find your story solace where you need. I recommend EARTH 1 for true impact and full Fryetag’s Pyramid for your money. You simply must wait forever between volumes. In the meantime go to Image. DC’s CONVERGENCE in April will be interesting. If MULTIVERSITY is to be taken literally, we could have a serialized version of EARTH 1 like titles in floppy form. Personally, that will be the end of my time with New 52 or Universe Prime as I believe it is now designated.

Marvel, I can’t tell you. They don’t want to talk to me. So…

Do you want to #ASKROB? Submit your questions in the comments or via email – because this is the face of caring!

New York Comic Con 2013 Day One Report

Valiant Booth130,000 – Take a minute to absorb that number. This is how many fans descended upon the Javits Center two  weekends ago for New York Comic Con, or #NYCC if you followed the great Twitter hijacking “conspiracy” that brought this geek coveted event into the eyes of the mainstream (read agreements folks, don’t just click “accept”).

The number isn’t as big as the San Diego draw, but the sheer concentration of fan love can’t be denied. When the top selling books these days clock in at 300,000 copies, 130,000 fans paying homage is a fairly dense representation of that love. Sure there were a shit load of girls wearing fuzzy cat ears and tails, widening their eyes and meowing in a reverse anthropomorphism homage to cutesy anime, but the spandex set still clearly outnumbered all.

star-trekKahn…I mean Con, the Undiscovered Country

For me, Cons are about unsung or at least under appreciated talent. I love the stuff done by Marvel and DC, but they get more than enough mainstream press they really don’t need any more. The Marvel booth was practically impenetrable as fans lined up to sniff the seat of Agent Coulson’s Stingray convertible. Also, Marvel really doesn’t give two shits about talking to press. DC offered us plenty of opportunities to do interviews like my one with Scott Snyder, but again their antithesis of Marvel’s press hate mantra allowed me to cover most of their announcements even before the con opened its doors.

Show Floor Javits CenterHere’s a basic map that shows how I hit the event. My feet became a cacophony of blisters as I traversed from creator shifts between artist alley and the main floor. Actually, the big company booths on the main floor were not the place to really get face-time with creators. They were managed tightly by PR wonks and hired hands to get books signed and keep the line moving.

I did however have a few good conversations with some brave indie souls willing to spit in the face of ROI and buy a footprint in here in the name of awareness. Here are a few of the folks that caught the ole’ Patey eye.

first law of mad science oliver metzFIRST LAW OF MAD SCIENCEDon in a lab coat and cackling like…well a mad scientist at passersby, I couldn’t help but give Oliver Metz and his books a moment simply on the “A for effort” principle. FLMS is the story of a world where people are given cybernetic eyes to enhance their field of vision. Made cheap, they become more common than lasik surgery with 2/3 of the world sporting enhanced vision. However, this eventually turns south as the eyes start to provide visions of little evil creatures. Four issues are out right now. Comp received – Full review coming soon.

telikos-protocolTELIKOS PROTOCOLThe imagery grabbed me on this booth. Really gorgeous stuff. The story is set 300 years in the future where the world is an ecological wasteland.  As a result we burrowed underground to form I, ROBOT (the book, not movie) like cities. Once underground and used to dark light we start sniffing around the sea bed where we discover alien technology that could deliver us to a new earth. Problem is the aliens lowjacked their shit and now they have come back to repo what’s theirs. Part disaster story, part alien ass kicking. I mentioned the really pretty art too right? Issues 1 & 2 are done and 3 is on the way. Hefty books as well clocking in at 44 pages. Pictured is writer Peter Cooper and illustrator Adam Burn.

Doctor Atlantis

DOCTOR ATLANTIS Written by Ian Ally-Seals and drawn by Carl Mefferd we set sail into high seas steam punk. The world is flat, the ocean is endless, Star Trek on the above Dave Jones’ Locker.

God Dyslexic Dog

GOD THE DYSLEXIC DOGI’m a dog nut, especially for retrievers. The pretty art drew me in (again), I can’t wait to dig into the story of God coming to earth as a dog who is adopted by a dyslexic dik…I mean kid.Comp received – review coming soon.  


Smoke break

valiant 8 bit cover pitfall

Matthew Wait (sic) – The dude that has been doing the 8 bit covers for Valiant. As a fangeezer I love this shit, especially the next ETERNAL WARRIOR one that for legal reasons we can only say is an homage to a game that rhymes with Schmitball.


Time to switch gears and head to Artist Alley. 

Ivan Dacosta IconsIvan DaCosta – ICONS is the name of the book Ivan put together that will coincide with a huge gallery exhibit in Brazil this November. The focus is letting today’s superstars like Rafael Albuquerque, Sean Murphy, Ben Templesmith and a 100 others unleash on their favorite characters and explain why they love them so. Produced both in Spanish and English this is one I can’t wait to dig into. The picture doesn’t do the sheer heft and density this book caries. Comp received – Full review coming soon


BABY’S FIRST BOOK OF ZOMBIESBabies are like zombies and turn their parents into zombies. I’ll admit, I went and spoke to creator Justin Reich simply because I love it when people actually tell it like it is when it comes to kids. I can’t really do a full review of it since it’s a kid’s book that basically correlates baby traits to zombie traits, but I can say it was damn cute. It was also a damn sight better than the crap I know my friends have to read their kids.


STRANGE TALENT OF LUTHOR STRODE TEAM – We love it and we’ve reviewed it a thousand times here on Ain’t It Cool. This is the book that got Jordan a chance at the big leagues. It’s kind of like KICK-ASS, but actually makes sense since the hero waits for powers before he puts himself in the line of danger. It’s also amazingly bloody and gory. Check out Justin Jordan and Felipe Sobreiro’s great work. The gang was also giddier than Japanese schoolgirls at the Hello kitty booths over being together for the first time.

hoax hunters

HOAX HUNTERS – Myth busters meets X-Files is eleven issues with a volume one ending at issue 13. Catch-up PDFs available for volumes one and two on the site. Pictured above creators Moreci and Seeley.

deadly class

DEADLY CLASSHigh school for assassins tale coming out in January from Image written by the great Rick Remender. Despite the obvious Wanted comparisons I’m willing to give anything Remender does at least one issue.


ROCKET GIRL – Teen cop from the future who comes back to the 80s to whack down some time criminals. To add to kookiness it all takes place in an alternate 2013 where everything promised to us in Back to the Future actually came to fruition. Weird with copious 80s should appeal to all.  Or at least all over 35. Pictured are creators Amy Reeder and Brandon Montclare.

chris-claremontChris Claremont – Chris was a jovial sort, sharing some 80s work called MARADA THE SHE-WOLF being reprinted by Titan. Also, Chris is making his way back to X-Men this November to celebrate the mighty mutants 50th anniversary. Comp received – review coming soon



Shane Davis – Famed EARTH 1 artist doing some sketches and hocking a new book with Max Brooks from Legendary pictures promoting SHADOW WALK. Mark Waid writing, Max doing concept, Shane on art, yeah I’m in.


Charles Soule – A lot going on for this guy. STRANGE ATTRACTORS from Archaia, two mathematicians that turn NYC into a machine. More than it already is I guess. Charles was also pushing LETTER 44 from Oni Press. Click the link to hear our Podcast review of a President who gets a succession letter that changes everything.

Two Tangaray and tonics break. Back to the main floor.

kelly sue deconnik

Kelly Sue Deconnick – New comic PRETTY DEADLY from Image is a mythic Western coming out in October. It’s being released in the CRIMINAL mold with five issue arcs.


Patrick Riley – THE MISADVENTURES OF ELECTROLYTE AND THE JUSTICE PURVEYORS is a superhero who…cures hangovers. There’s also a telepath who can only finishes sentences, a shrink hero that is not more than a mite and a billionaire who uses his money to bribe criminals not to commit crimes. Six issues and a trade are now available.




josh-ortega-greg-goldsteinMy feet blistered and shoulder sore from overflowing man bag, I went back to my hotel Yotel for a shower, a foot soak, and power nap. The evening ended spending some time at the Toy Tokyo Underground launch party of THE OTHER DEAD from IDW. A good time, but alas I was exhausted. I drank three complimentary ales and quickly proceeded to crash for Day Two festivities. Pictured are writer/creator Joshua Ortega and IDW President /COO Greg Goldstein.


WOLVERINE & THE-MEN 31 REVIEW – Rise of the Quire

Wolverine_and_the_X-Men_Vol_1_31WOLVERINE & THE X-MEN 31
Writer: Jason Aaron
Artist: Nick Bradshaw
Publisher: Marvel
Reviewer: Rob Patey (aka Optimous Douche – Ain’t It Cool News)

With all the hoopla surrounding Bendis’ jump into the X-verse, people seem to have forgotten about the elder statesmen of NOW, WOLVERINE & THE X-MEN. Before the original fab five were thrust forward from the 60’s…I mean 80’s, Jason Aaron was already bringing the X verse back to its plain and simple roots as a school for mutants. Alive with the frivolity of youth, but also forever juxtaposed by Wolverine’s surliness, WOLVERINE & THE X-MEN above all other X-titles remembers that comics should be fun…damn it…harrumph!

While an integral part of the X-verse adventures, especially with the original team now under the roof at the Jean Grey School for Higher Learning, the book has never been mired in events. It’s lived as a wonderful bastion of hope despite the cataclysmic events of the past year. Even now, as the original team is split down ideological lines, Aaron alludes to events without ever miring the title in them. The students come first in this book, with their training to be tomorrow’s X-Men always a priority.

I know many who tried this title and jetted because of distaste for Chris Bachalo’s art. If so, come back, Bradshow is nowhere near as stylized, but still offers a unique and fresh feel. Then there are some who simply didn’t like the “jokey” air of this title (including this reviewer in the first issue). Fear not, the jokes have been tempered greatly without suffocating the fun. And there are finally those that simply hate the over saturation of Wolverine. Well, to those folks I will say this is a very different Wolverine than any other book. It’s been a long time since we’ve seen Wolverine as a guiding mentor instead of a killing machine. Also, he’s only a small part of the title – again the book is about the students with a smidge of the happenings in the various professors’ lives.

Issue 31 is a great jumping on point for the newbies and those that have strayed from the flock. As we begin “The Hellfire Saga,” new threats loom, old relationships are tested and now there is yet another splintering of the race to control all of the new mutants cropping up across the globe.

If you think Scott Summers School is “evil,” this issue will make you think again. Personally I don’t think Scott’s mission is evil, I call it self-preservation, but that’s an ideological debate we can save for another time. The Hellfire Club has always been evil incarnate, but it feels especially icky now that the Chess based leaders are all disciples of Bieber. Kade and crew’s adolescent visage is a stark juxtaposition to the dark cynicism of their souls. I laughed at the concept at first, but as time passed it became more of a bold decision than a mistake. After all, how many more times do we want to watch Sebastian Shaw rise and fall.

The kiddie leadership remains fairly behind-the-scenes for this issue, instead letting professors like Mystique, Dog Logan and Sauron bestow the next generation with evilocity. Teaching classes like Public Relations for Psychopaths, Better Living through Superior Firepower and Getting the Most for Your Soul When Dealing with the Devil the act of villainy has been legitimized in a way we never saw back when Emma Frost was running her crew of bad guys. It’s not as subtle, but WOLVERINE & THE X-MEN has never been the subdue type of book. With adventures that ranged from intergalactic casinos to following Doop around for a day, you must be willing to plant your tongue firmly in cheek to enjoy this title…sorta.

For as much camp Aaron infuses into the book there are genuine moments of emotion as a respite. Quentin Quire has truly grown as a character throughout the series and never more so than in this issue. As much as he and Wolverine have had a hate-hate relationship, there’s definitive respect between the two. So much so, that even though Quentin joined the Hellfire Academy as an F.U. to his headmaster nemesis, he’s remembered some lessons on right, wrong and teamwork. Sensing something rotten in Denmark when students never return from detention, he throws himself headfirst into the Black King’s clamping maw.

I know I tend to be an X-apologist because of my love for this side of the Marvel Universe, but on the same token, I’m not a babe in the comic woods. Basically, I know when I’m blowing smoke up your ass and I do try desperately to temper my fervor in those moments. With WOLVERINE & the X-MEN though, this is no bullshit or hyperbole. It’s one of my first reads in my weekly big pile o’ comics and with how many books I get it says something about title quality and consistency to rise above all others month after month.