PROTECTORS INC 1 (In Stores November)
Writer: J. Michael Straczynski
Artist: Gordon Purcell
Reviewer: Rob Patey (aka Optimous Douche – Ain’t It Cool news)
PROTECTORS INC at the high level is Joe’s Comics answer to the JUSTICE LEAGUE. Naturally though, it has the JMS flourish of cynicism and truth powering the masks. There’s nothing idealistic here. Just like SIDEKICK and TEN GRAND, PROTECTORS INC. takes the traditional superhero tropes and indicts the bullshit black and white moralities that tend to permeate the capes and spandex site.
I received my copy of PROTECTORS INC during New York Comic Con last weekend. Actually everyone who decided to attend JMS panel on writing and well…anything that came into Joe’s head, received a copy as well. Joe didn’t do a hell of a lot plugging of the book, in fact he did a very cursory overview of the entire Joe’s Comics line. That’s a compliment, not a slight. Between advice and frivolity he made the panel about us and our questions. He left the panel by giving all of us a copy to let us go off and draw our own conclusions.
Now, I’ve interviewed Joe about six times over the years, the man is a bastion of candor and honesty. As a fellow Jersey boy, I can’t handle pretense either. If you’re going to say something, just fucking say it. So here it goes. I’m confused. There are many streams feeding into the tributary of the story about people disappearing amidst strange lightning storms and the first superhero The Patriot.
In the world of PROTECTORS INC., capes arrived on the front lines of WWII in 1944. After kicking some kraut ass The Patriot comes home and the next seventy years see the rise of 50 other powered individuals like the beautiful Angel, the machismo endowed Huntsman and a host of others. They don’t get a lot of play in the book, merely serving as exposition fodder for our narrator detective lamenting his very laisez-faire feelings towards the whole lot. In this world there are no caped bad guys, everyone with a power is good (or at least we’re supposed to believe they are) and the heroes serve as more celebrity in the skies than thwarting any real danger. Joe is definitely sending a message here about the corporatization of American ideals (like Times Square), but it might be too early for that. I think we needed a few less characters and a little more why we should care about these fifty fuckbags filling the skies.
I’m not an overly obtuse person, so I think part of my confusion stems from Purcell’s artwork. There’s a CIA agent in the beginning of the book, looks like a middle-aged blonde white guy. His human cargo disappears by lightening. That’s the last we see of the guy. Now he may very well be The Patriot who simply disappeared ten years ago, but I’m not sure. Next is our detective who looks a lot like The Patriot both in and out of garb and the CIA dude (again assuming they aren’t the same person).
Despite my grimacing on the overarching plot, the book is rife with Joe’s natural dialog and flair for humor. This means I’m definitely in for the first arc. I have a feeling that will give enough time to crystalize why I should care about these incorporated protectors.