SUPERMAN WONDER WOMAN 1 COVERSUPERMAN WONDER WOMAN 1
Writer: Charles Soule
Artist: Tony Daniel
Publisher: DC
Reviewer: Rob Patey (aka Optimous Douche – Ain’t It Cool News)

I learned one truism when I got married 13 years ago that I find holds water in about 90% of relationships, “Women marry men hoping they’ll change, men marry women hoping they won’t.”

I think Charles Soule agrees with me, because as perfect as Superman is, Wonder Woman is damned and determined to make him better. He’s powerful, but untrained. Good of heart, but unwise towards the world. He’s the greatest man to walk the earth, but needs the veil of mediocrity found in Clark Kent to honor his earth upbringing. These are the things Wonder Woman plans to fix. Honestly, I smelled wafts of an impending break-up between these two powerhouses more than I saw the buds of a relationship ready to flower. Because while men are capable of change, the process is slow and no matter how much we love, certain tenets of the self can not and should not be changed. Wanting to live a life of humility and simplicity is a much different personality trait than not hitting the laundry basket or leaving the toilet seat up. Hell, Clark isn’t even willing to show Wonder Woman his frosty bachelor pad much less clear a dresser drawer or make a giant pink key for her own entry.

This book is the deep emotional and character deep dive I’ve been begging for from books like JUSTICE LEAGUE. I get it, JUSTICE LEAGUE is an all-ages bombastic battering ram of conflict, to take a quiet respite like SUPERMAN WONDER WOMAN 1 portrays in its first issue would probably upset a lot of Fanbabies. Fangeezers though, who have been tempered by years of co-habitation with the gentler sex actually appreciate books where we see how this life of frenzy actually affects them as human beings.

Don’t think for a second this issue is without action. Soule’s pacing coupled with Daniel’s able art bops us back and forth between these discussions of self and the harrowing heroics of rescuing an entire naval battalion of naval forces from impending doom. While the issue starts with Wonder Woman getting in some gal talk during a sparring session with one of her fellow Gods and Clark trying to manage Kat Grant’s ambition for their Huffington Post knock off, Soule perpetually thrusts the book forward from earlier to now to show some great plane crashes and the complete destruction of a naval carrier.

The threat at first seems to merely be a nasty whirlpool created by some thermal dynamics at the bottom of the ocean. What causes that heat though, is a threat as old as Nirvana.

Doomsday is back folks and Daniel welcomes him with some massive scale carnage that will turn the stomach of even the most stalwart horror fans. I’m of two minds here, and part of my apprehension stems from New 52 continuity versus what we’ve known for years and the issue DOOMSDAY 1 during Villain’s Month.

I’ve never been clear on whether  Superman has ever been fell by Doomsday’s massive meat hooks in New 52 context. The entire “origin” of Doomsday took place on Krypton as a young Kara is told of her Aunt’s battle against the creature with the help of Zod. However, the book of El also relays a prophecy of a day when Doomsday will return and kill  the house’s greatest champion. During these scenes Superman has a mullet, which we all remember from the 90’s,  and he looks much older than his New 52 visage. Who the hell had a mullet between 2006 and 2011 and didn’t live in an area still waiting for cable TV? I know, I know, comic time is it’s own beast. but at what point do we cry uncle from the confusion. Did the book of El tell of a time yet to come? Will mullets and perms be all the rage in 2014? It’s the problem that comes with trying to reboot, while still keeping pieces of your old boots on your feet. 

Even though it has never been implicitly stated, I believe Superman does know Doomsday simply by a recognition of fear in this issue. I’ll also assume his death did take place between in the five year before dark time.  It doesn’t jive with JUSTICE LEAGUE behavior in later arcs of the New 52 nor what actually happened during his death in 93 (that Justice League was not the new one by a long shot. I mean Booster Gold and Blue Beetle anyone?). All of this would sit better if the artist and DOOMSDAY 1 simply skipped the oh so 90s character renderings, but whoever said comics are for the hyper-literal (even though we all go there).

Misgivings and continuity nits aside, I’m happy with SUPERMAN WONDER WOMAN from a sheer content standpoint. I’m not happy about having to buy another book each month or the face FOREVER EVIL is completely ignored, but again that’s comics. I guess sometimes the needs of the one title, do outweigh the needs of the many.