Writers: Dan Jurgens & Tom King
Artist: Ethan VanSciver
Reviewer: Rob Patey (aka Optimous Douche, Ain’t It Cool News)
Thank you DC. I show my appreciation to creative teams constantly for melting the cockles of my heart, but I can’t think of any time I was truly moved by the simple inception of a series from a publisher. For the impatient the plot is thankfully simple, Superman of Earth prime is in the hands of Brainiac. Brainiac is an urban kleptomaniac. He’s also more addicted to puzzles than mental wards, and what a grand puzzle Superman’s infinite deaths and infinite triumphs across time and quantum strings would be to unlock for a creature always seeing the most logical patterns as its purpose.
Like the New Gods and Apokolips are constructs capable of navigating the cytoplasmic bleed between universes (see GODHEAD in GREEN LANTERN), Brainiac plays the same tricks, but ups the ante against their Godly travel beams and hover chairs to add time into his malicious of city abduction: “What’s the plan Brain?” “Not to just capture cities in a bottle, but to capture the zenith of all cities in all universes in…all…time…periods to examine what makes the idea of Superman so unyieldingly pervasive he is always spared the final fate before being born anew.
“Sounds Meta Optimous, didn’t you bitch slap ULTRA comics and every other issue of MULTIVERSITY for such 4th wall faux pas?’ Indeed, and CONVERGENCE made me realize that my disdain for the Morrison Meta versus Jurgens doesn’t stem from too far of an aesthetic distance, but frankly one that is too close. I love story. I know real life never seems to allow the story world in. From mermaids to UFOs, most of the mystical in this world stems from myopia and booze. The meta here is not breaking my 4th wall that I know can’t be, it’s breaking the 4th wall for my favorite characters. Which makes sense since SUPERMAN not Rob Patey can and has done everything. It’s a story about deconstruction, not a fucking pamphlet chiding me for seeing through the complete fucking deconstruction of heroics and then getting pissed at me for complaining the rebuild looks like the same shit from before. CONVERGENCE is apologizing in a sense for the New 52 forgetting to change for the sake of comics, instead of in fear response to Marvel studios.
MULTIVERSITY is ambitious, especially for one man. The scope of CONVERGENCE with 3D universe movement and 4D time travel would be career suicide for only writer. And I’m not talking the whole series; I mean Jurgens was wise to get King at his side for the extra pages sans any ads in just this issue.
So that’s it, in glorious and intimately character rich, but also epic in scope storytelling. A compendium in the back shows where Brainiac the mainframe has been telling his green screen dummy terminal clients of cunning to swipe cities from, but most of us have seen the checklists already to suss out the timeframes of occupying the new universe of Pax Brainiac.
Now let’s get meta ourselves for a second to see what could be next.It says the worlds are in a contest to see which survive, I buy it for the 3 as yet unannounced titles adding to the already announced Fanciful 49. I’ll take it, and honestly no longer complain about a chunk of the shelf being prostituted to new media and parent company interest. The fight is futile, and as much as I want a DC Universe brimming with a ton of Elseworlds, I will satisfy myself with restitution over a satisfying end to my comic youth. It’s infinitely healthier than petulantly pining because my desire can not bend the will of billion dollar companies. It’s in part also really really delusional.
Part of my peace is from seeing Jurgens, THE writer of my youth, a man who could so subtly weave together wisps of continuity from tale-to-tale to reward the OCD, but never deliver references so obtuse that new readers would get a real nosebleed from the metaphorical cross-sell. This unique talent of Dan’s has been wasted in the New 52 until now. You don’t give a man who used to Check Mate great stories on a three tier Star Trek chess board one flat fucking checkerboard from CVS. And if you do erroneously put Dan on just one book, you make sure it is an exploration of every quintessential moment in DC history like CONVERGENCE.
CONVERGENCE is also the first book in ages truly for comic fans with cosmic consequence. We need stories ripping apart and past the linear. Comic reader imagination is more acute than the average bear who only sees comic movies. This curse to bend the boundaries of danger, has put us to a point where the stories of city, state and even nation are simply too myopic in scope to really affect us. We have seen our own cities under fire at this point, which means comics, to meet their thrill schill of brand, frankly need to raze fucking everything from the God particle flashing until the final Kelvin of entropy hits zero across all stars.
Before I bid adieu, I must take a moment of art awe. Beauty bleeds off every page from the grandiose all knowing Brainiac mainframe belittling a much oddly older looking Superman Prime (how do I know earth designate for taunt Superman, high collar and doll part articulation points is how I know), to the moments of sincere reaching out Superman delivers to an ever changing by comic epoch Vril Dox. Another part of the Van Sciver allure for me is that I believe he’s the hardest working man drawing comics right now. Anyone who professes a desire to paint comic pictures for a living needs to hit a con and witness the exhaustive pace VS performs at to be granted A-list titles. It takes more than talent folks to turn a job into a career, dependability and desire can sometimes help balance a less deft hand’s chances. I have stood afar more than once over the years on show floors watching Ethan multitask like a 12 year old who lost their Adderall, graciously greet an fan who walks up to the table and never relent from producing new pages or commissions. I stand at a distance because I swear a lot and his kids are usually with him. I’m not a stalker, just a guy who marvels at that which he can’t do and will never ever taint kids if I can help it. The magic of youth, like the magic of comics seems to fade with each passing year as commercialization makes cynicism a core attribute.
I care about Jurgens (though he is ironically one of the last comic writers I have yet to personally kibitz with), I care about VS, I care about DC and I God dam right care about comics breaking the boundaries of convention as much as opening day blockbuster projections. CONVERGENCE is the first series in so long who also seems to give a shit about me. Thank you again Dan, truly.
SUPERMAN EARTH ONE VOLUME 3
Writer: J. Michael Straczynski
Artist: Adrian Syaf Publisher: DC Reviewer: Optimous Douche (Rob Patey by birth and stuff)
For fast feasters who want the slugline before their lunchtime grab and quick gab store run, this quips for you:
“While the loss of Shane Davis for the more “grounded” (ZING) Syaf pencil of realism over hyper realism, it’s an exact match of tonality for the plot of Straczynski’s third foray into the hardbound full-arc world of Earth One.
About a year after the close of Volume 2 (comic time), Clark is still;
Career setting with the shit hours and anemic salary of a cub reporte
Juggling the jealousy of the twenty-something love triangle with Lois and himself in underarmor
Desperately seeking to dull his Kryptonian awesome so humanity isn’t a foreign species…
The object of affliction for Team Luthor (now man and wife instead of traditional bro and sis). These were the good villains this time, the ones driving sense, reason and pragmatic world mechanics I need to make the entire landscape worth of abandoning my aesthetic distance. Their love is hawt, their genius total science-fiction bullshit plausible (only Neil Tyson would get assed up) and motivation for going after Supes appropriately new age sociopath induced. Shame we end the book with only one left alive. Pretty baller though it was the one I wanted for fun in Volume 4. After all the female of the species is more deadly than the male. Said Rudyard Kipling, lead singer of the one hit wonder group “Space.” (little lesson how the class of 2030 will actually search engine cull answers with that joke).
New threats come with:
Zod. Not a fan here. I will admit I am suffering from Wilfred Brimley levels of home delivery insulin for Zodabetes thanks to all the damn resets over the past decade. He’s bad, he always will be bad, for fucks’ sake why Zod why are you a boomerang. Outside of Terrence Stamp chewing the scenery in pleather parachute pants I have always been tepid to the oneness of him. JMS sweetens the well to deliver my #2 favorite rendition of this 2-D staple by making him an active participant in the E1 deliberate destruction of Krypton versus the standard natural disaster. Zod was in bed with Tyrel. Joe wrapped it in pretty prose, but given my girlish squeals towards other Zod can basically go fuck himself, glad he’s gone too.
World government cabal. Good call on taking a tip from New 52 Earth 2 on the inception of this pragmatic approach to governance with a populace that can cross borders literally by jumping. From the bible to Star Trek global unity will present itself when there is a sentient species different from us beyond skin color or proclivity towards hummus, weed, absinthe, communion wine or abstinence. A species gots to hate and Superman is a realistic target. Their use of the Luthors to devise a Superman stopper used the confrontation from volume one in well played comic continuity fashion (also Joe threw in some suggestive swinger ideas that were lady lady guy hawt). Only their acceptance of Zod when he offers a team-up made me lose respect. I really think he was an editorial force with the way the IQ points plummeted at the blind acceptance of an offer to side with a devil you don’t know versus a clearly powerful but innocent fresh doe. Yeah, Supes trashed Metropolis in Vol 1, but he was also grabbing kittens from trees and other good deeds soon after.
I like Lisa, I really do. Awesome Clark found the Pretty Woman who is more attractive and less grating than Julia Roberts in ever way. I can live with the slow burn Lois build. I totally dig Rumspringa, ask my parents about me taking the 90s to ‘matriculate” college. I…swear I am not a prude. I am also not a complete romantic like Clark and I have had my heart properly weathered by the sharper sex. He and Lisa cross past the friend zone, a task made much easier when Lisa discovers Clark’s work clothes. Sorry, I just can’t imagine a world where I could sit there and hear my significant other blowing a guy for rent and not feel inadequate over I may not be tipping as much as he does.
Notice my ordering there? My narcissism always puts random orders in the control of what resonates and affects me most. I played slapsies above and bitch “slapsies” with my actual review of “grounded” in SUPERMAN, but faults with that series were editorial and timing – not execution. Editorial knew the end was nigh so “rock out with your cock out” trumped a planned out schedule. SUPERMAN EARTH ONE has all of those great elements of Clark exploring his feelings for Lois without the editorial dive bombs of, “Hey Joe, can you have Supes skip over to Max Lord’s secret lair pick up Ted Cord’s brain and then do a vertical lift up to the Tower for a very special bedtime story about how Sue Dibney was whacked because Dr. Light perpetrated a crime of unspeakable assault on the soul.” All my words, not Joe’s in any interviews we’ve done.
I meander because I know JMS cares about this craft, and really any fan of Superman has all they need with the concept of EARTH ONE: A-Listers running free. Quality is assured and if you have a modicum of fandom for the creators, the characters and/or faithful and clever refreshing of nostalgia any EARTH ONE title is a no brainer on a solitary read level. Light commitment so that the friend or co-worker who always goes, “wellll, I loved comics, but there’s so many, I don’t know where to start, my co-worker sits next to me and mumbles all day about mobile security and how his email box keeps flooding with poorly formatted emails every Tuesday at 4PM heralding marginal comic news for the next day…” Fine, parts of that are the poor data dude who sits near me, but any casual naysaying on commitment or confusion of continuity can be bludgeoned with EARTH ONES’ thick binding. SUPERMAN like BATMAN and TEEN TITANS also pays no lip service to its universal counterparts, so grab a Bat, Cape or Titan and don’t worry about missing any vital beats cause or cross sell performance objectives to feed larger KPIs.
Now let’s talk about EARTH ONE and CONVERGENCE
If you didn’t read MULTIVERSITY GUIDE BOOK go now. Convergence I believe will bring forth a world of 52 comics wherein the New 52 merely exists as the larger whole. EARTH ONE for the correlation challenged will be another sliver. Insert etc here for likewise on Capt. Carrot, tiny robot corpse toons, Batman Beyond and the Nazis triumphant universes.
We have all been led to believe a “sort of” lie in that the New 52’s mentally handicapped heroes were supposed to be granted the closest parking spot as main continuity because they are what being reborn a hero is all about. I can now appreciate its existence as the guidebook describes it for heroes in their prime, but not beyond the definition of puberty. Sorry, but there are no fine lines between inexperience and incompetence. Awakening does not absolve being an asshole. Danger from within is sometimes more palpable than from galactic Giants. Also, get your upsells to trades, cartoons, movies and paying the salaries for unimaginative minds in WB Frog Tux’s to gobble market demographic reporting out of my comic universe damn it.
I’ve known these “truths” for awhile now because I read a
Fuckton of comics and I work in marketing (The devil’s second favorite profession behind my second career choice of lawyer). Your lexicons to this revelation have been laid before you. There has been a multi demographic play at multiple wallets since Batman Beyond told kids to come back, we have a world where BATMAN’s back got better and Superman is not in an extended coma. Yay, some more revenue until Superman wakes up and the rest of the world thinks we don’t know the definition of dead…kind of like a child…kind of like rest of 90s world sees comic books.
I don’t hate the New 52, but it is an arid play at introducing super-heroics when held against the weightiness afforded Earth One titles because of instant arc gratification and being able to deliver whenever your artistic big guns damn well say it has reached perfection (and puny editors actually can cower in fear without loss of share holder value). SUPERMAN, BATMAN and TEEN TITANS are all true awakenings and we can grow with them in real time as I once did with Kevin Arnold on the Wonder Years. Earth One can pace slow burn because it is not the testing ground for the best selling monthly<Trade<Cartoon<TV Show<Movie Fodder formula or da cheddar as douche bags would call the ultimate goal of money. Ultron went from comic to movie fast, go look at sales charts of comics than my fellow fools of non-paid focus grouping to see why so much expedience up the revenue chain. Good businessmen, even businessmice always double down.
Finally, with CONVERGENCE and now Marvel awakening to the continuity conundrum of forever people, we are blatantly being told instead of absolute certainty of pivotal numbered issue consequence, “just go pick a fucking continuity and we’ll fill it with titles based on eeny-meenie-miney-mo of gun shy retail preview picks based on zero information unless you buy into a value-add marketing program with the distributor (I’ll write a separate post on that cardboard news-stand revenue tie to premium order placement and ultimate sales, let me know if you want to hear it).
Well, maybe Marvel will be safe since this is their first time letting the universe asshole completely prolapse before trying to shove it back in. The first repack is usually factory seal fresh like CRISIS ON INFINITE EARTHS. It gets loser with each repack though and slips out more quickly and more often when abused. See how quickly we needed to have a CONVERGENCE tuck after the FLASHPOINT PROLAPSE. In
20 years Marvel too will just tell you to go read this new Earth 617 where X-Men now wheel chair race at the Xavier 55+ Community for Broke Ass Mutants.
Sorry for the rambling, but please see we are not only seeing story shifts we are seeing a dynamic sales shift affecting stories. The EARTH ONE in description in the guidebook is some nebulas shit about a newly forming earth that will cool with heroes who are new. In my mind this means they are amoebas waiting to become a multicellular organism…excuse me…a SUPER multicellular organism…or it’s a world every time Superman evolves Vandal Savage has already evolved and merely urinates in the life pool and keeps it all FOREVS EVIL by issue after issue of drinking and then eviling with his golden weapon of PH level off-setting.
See folks, when I can write that sort of off putting mental imagery about a story vehicle I adore at 3:00 AM in the morning when I have a 7:00 AM with APAC and I am still ready to hit the story in a zombie caffeinated fugue state, we and the companies have taken the demand for universal cross continuity beyond reality. Kennedy woke up America from la-la-land and WATCHMEN was our book repository of decloaking the tropes with too much clever irony to back to being able to ever believe in golden age ideals. Let’s remember simpler times in this new a la carte world before us instead of wishing for something we really can’t ever have again and probably wouldn’t want anyway. You know the shit would be polybagged with a cover where the artist can’t draw feet.
ROB PATEY’S FU#$TON OF FUTURES END REVIEW Thoughts and Thoughtful Reviews on ARMAGEDDON 2014
Hey there, hi there, ho there FiftyTwoKateers, it’s September again and we all know what that means, some BIG September events, which should not to be confused with the BIG August events that are only tangentially tied to the Passover pass off from the January events that launch the year.
I kid,I kid…sorta. Event is simply a marketing term at this point that really holds the same impact on story as a little thing we once simply called arcs and continuity. Anyone who keeps asking, “where the universal synergies have gone,” are the same stubborn bores who will never drink from the grossly misnamed event troth in some futile battle to take the word back to the past.
So, just chill. This FUTURES END catch-up is not an event summation, merely a state of one arc, five years from now, but started almost forty years from now, but not before we get the exposition about a war between Earth-1 and Earth-2 that I think will be starting very soon from now as FOREVER EVIL collides with FUTURES END…the part that is now.
I was at first confused on FUTURES END’S purpose. Need proof? Watch me choke on my piss poor prognostications with this quote from my issue one review:
“The D-list gathering is, essentially, the death, dismemberment and disenchantment of every hero festering on the bottom rung of the sales charts. No one is safe, as a neophyte in consciousness Eye begins to rip the DC universe asunder. StormWatch, which I faithfully stayed with much longer than I should have, is blown to smithereens. Green Arrow gets smashed and Firestorm is such a ball of self loathing it’s amazing he can fly without crying uncontrollably. One might think I’m not a fan of this book with this description, but here’s where the schadenfreude kicks in.
WRONG. FUTURES END has been less about making these characters simple paste on the side of a wall; it’s actually making them all kinds of awesome. Grifter and his little psychotic pre-teen ball buster of a sidekick, Fifty-Sue are awesome and hilariously self-aware, and the Firestorm flake-out has actually become a rather complex little dance of power as a now bullying team of left behind Justice Leaguer’s try to keep what little power they have left in their ranks.
As the main title to this universal arc (not event), FUTURES END has been a fun exercise akin plot wise to the 90’s favorite ARMAGEDDON 2001. Its far, but not too far, peeks ahead give us a true voyeuristic look at our heroes legacy versus the romanticized history when timelines are played with too far from now. FUTURES END is also old school JUSTICE LEAGUE INTERNATIONAL sarcastic, with Azzarello keeping the story very grounded in today’s more self-aware comic sensibilities.
FUTURES END seems to not be fucking around with the meaning of literal. Because things are looking mighty bleak in the following FUTURES END solo stories that sit behind the glorious moving covers that when stacked sound like a fat person jogging in corduroys.
So where will our heroes be in the far…ish end of the future?
(For anyone who cares whether I like these books or not, please consider their order to be that barometer)
FUTURES END THIS WEEK 9/24/14
FUTURES END FLASH 1: Come for the amazing Brett Booth art and stay for the moral conundrum, time antics and story payoff delivered by Roberts Venditti and Van Jensen. I was a big naysayer to bringing Barry back after having spent a lifetime with Wallly, but boring personalities aside, the book has always been solid. I was almost of a mind to yell no when Wally was introduced, simply because it felt forced since Barry and Iris weren’t knocking gold winged booties. Bad Optimous, because since the Valiant boys have come in and brought forth a mysterious blue flash from the future the book continues to accelerate in amazing. Five years from now, Blue Flash reveals his true face to Wally and Iris, unfortunately its after he pastes their brother and uncle Daniel, the reverse flash. Blue bails on tomorrow as best as he can considering the speed force time fractures to show up and get pummeled by a silver speeder. Barry facing his killer self, Wally imbued with the speed force finally and an uncertain tomorrow gave this FUTURES END entry my top billing of the week and goosebumps for further issues of FLASH.
FUTURES END SUPERMAN 1: With the cat out of the bag already that Billy Batson has been taking up the Supes mantle after Sally Struthers convinced Clark Kent he would be best serves digging for water in a dying continent, I walked into this one with a fair amount of skepticism. Surprises do happen kids because Jurgens wrote the hell out of this confrontation between Lois Lane and Shazam with the hood on her big mouthed reporter lady ways jeopardizing the illusion that Superman is still in action. Weeks’ pencils are superb as the talk is perfectly counterbalanced with a distress call to fight an old foe that eventually leads to a glorious epiphany.
FUTURES END HARLEY QUINN 1: The brain child of Palmiotti and Conner has been breaking the 4th wall worse than Christopher Walken reading his cue cards in…well everything. Thankfully direct DC deprecation has been outlawed in the future and only good ole’ innuendo remains. After a raucous Castaway spoof complete with her Wilson, our favorite albino sexpot wanders into an Apocolypto Incan tribe. The cover don’t lie folks, she does run into Mr. J. How did he get hisface back? Shut your whore continuity spewing mouth and enjoy the Joe Versus the Volcano themed fun.
FUTURES END BOOSTER GOLD 1: This would have made it higher on the list if this was 1987 and I knew what the hell Booster Gold was up to right now. I read a ton of DC books, because that has always been my deep dive universe. I love Booster of yore and it was that nostalgia that brought me to imbibe his New 52 life. My sentimental tolerance is thin though, and the new JLI fell flat for me and I think readers by its immediate canceling. Anyway…somehow Booster ended up being jettisoned haphazardly across the time stream like Sam from Quantum Leap. 1800’s Gotham, 31st Century Metropolis and Kamandi end days even. Now, the real surprise is good so I won’t ruin it here, but I can’t bump this up on my pecking order. Sloppy art handoff to a cavalcade of contributors and no context of setting or moment before leaves this title low. Jurgens did fine, but when a guy who reads about 48 of the 52 titles each month goes, “huh?” Something is rotten in Denmark’s editorial department.
FUTURES END’S PAST FEW WEEKS
FUTURES END BATMAN 1: Bruce Wayne is crippled and trying to muster up some gene tech that will let him make multiple Batman’s since the Batkids seem to have delivered lowered expectations, or are in hiding like Tim Drake. An odd juxtaposition to the vehement clone hating he’s showing Ra’s over in BATMAN & ROBIN. It’s also odd considering the events of…
FUTURES END BATGIRL 1: Where Babs has actually gathered a trio of Batgirl power including old favorites like Harper Rowe and Stephanie Brown. Gail Simone’s writing simply shined in the beginning of this issue with a wedding day disaster perpetrated by a certain crazy brother that pushes Babs into full-on Bruce Wayne vengeance mode. Her first step is a very clever double agent move where she learned the tricks of bad guys before delivering a final solution. The only times I really bemoaned the books’ choice were when Babs wore the world’s worst Mexican wrestler outfit after Bane training and then the wretched after school special moment where Babs says she never took venom she simply became a roided out freak. I know, drugs are bad hmmmm, kay? But I have to believe if bulking up was the answer to thwarting crime the bat brain trust would have brought more brawn to the table a while ago.
There’s a nice young twenty-something lad at my local WaWa who will chat geek with me while I await my Barista Bar flavored coffee treat. The other day he said he was finally ready to get back into comics, specifically the New 52. “So, what’s your first trade going to be,” I asked, fearing I already knew the answer. “Justice League,” he retorted.
“Fuuuuuccccckkkkkk why does this happen every time,” resonated through my headspace.
Of course I know the answer. That first JUSTICE LEAGUE arc was the big news item. It’s the book that was covered by CNN and all of those credible media outlets with behemoth marketing budgets behind them. The book that had reach.
However, quantity of units sold is rarely the sign of quality. Every one-hit wonder and earwig we end up loathing after its 2 months half-life is indelible proof of this theorem.
“Dude, you having a stroke?” Obviously my face was more reflective of my mental yawp than I thought. “Why JUSTICE LEAGUE,” I murmured through pursed lips of rage. “I don’t know, seemed the central point.”
Hard to deny the logic here, but after 3 years into the New 52 experiment. That original JUSTICE LEAGUE story with the five years behind continuity and a team-up wonder team that just didn’t seem to gel on page, was the tarnished crown, not the crown jewel of the New 52.
In an effort to serve this nice young man and any others who might have missed the boat, but now want to jump on I give you the Rob Patey (Optimous Douche) complete New 52 frank talk. I’ve read multiple issues of every mother lovin one of them, and reviewed a high percentage of each title. Here though, the shall now live in one consolidated list.
The Stratums of a Universe- EMBRACE THEM
There is much to love about the New 52, there really is. Fanboys to Fangeezers love to dwell on the car wrecks, but many books have shone brightly. One smart move given the cacophony of chaos leading up to the New 52 was to create a universe of different themes. So all books live in one of the following buckets: Justice League, Batman, Superman, Green Lantern, Young Justice, The Edge, The Dark and Other.
There was never an edict that we must buy every book on the shelf. Fanmen like myself, those of us weaned into DC from CRISIS ON INFINITE EARTHS became used to buying every book because it was an affordable endeavor. Also, it was years before the rise of the powerful indie. We would have to wait until the early 90s until we got to a time average comic shops carried something other than Marvel and DC. Ahhhh early Image.
With this presentation in place fans could really go wherever they chose based upon their particular comic appetites. This was a good call, even if the plan has somewhat imploded on itself during this new age of infinite cross overs and events.
The New 52 A Complete (ish) Breakdown
JUSTICE LEAGUE UNIVERSE
JUSTICE LEAGUE: Set five years before the events of all other books in the New 52, this was supposed to give our favorite heroes of Batman, Flash, Superman, Wonder Woman, Green Lantern, Aquaman and Cyborg a back-story and context for their doings elsewhere. It was also supposed to be a nuclear explosion of action and impending danger. What we got were a bunch of petulant children inside big splash pages and yet another appearance of Darkseid, well, sorta. Darkseid appeared for about 2 pages. The rest of the time we watched our heroes act far too young for merely a five year trip back in time and act contradictory – personality wise, not maturity wise – from who they were in other books. I love Geoff Johns. I love Jim Lee. I do not love them together. Jim is too bombastic and Geoff is too intimate. What it left was a hollowness in the title until we got to Thrones of Atlantis. Forever Evil has caused a bit of the hollowness again, but the other books in the crossover make up for the loss. JUSTICE LEAGUE can be a rand read, it simply wasn’t until it was tied to a crossover or given a great back up story with Johns and Frank giving a new birth to Shazam.
AQUAMAN: The fish jokes have never been forced and I love a good reluctant King story as Arthur struggles between the love of his Father’s world and the underwater world of his Mother. Also, his relationship with Mara is one of the best love stories DC ha sever seen. Despite the fantastic elemnst of the book, this bond is very authentic.
THE FLASH: I hate Barry Allen, Wally West is my Flash. Book never stood a chance. I have dabbled in a few issues here and there and quite frankly it’s only when Barry acts in a smart ass fashion like Wally do I find myself interested.
GREEN ARROW: Here’s another one where I will show my image. My Ollie Queen is best buds with Hal Jordan and looks like Errol Flynn. This new guy is just sort of there. There’s no relationship between GA and Black Canary either, and this I truly can’t abide.
WONDER WOMAN: AMAZING! Azarello has created a story for the ages as Dinah battles her sisters and brothers of Olympus to keep Zeus’ latest bastard safe and sound. The mixing of mortals (the baby’s mother) and those that have fallen to mortality has kept one of the creepier titles of the New 52 a first read for me each month it drops.
JUSTICE LEAGUE OF AMERICA: I loves me some Amanda Waller, even this ultra skinny one who is more evil than pure Machiavellian. This is, I got enough of her SUICIDE SQUAD. I applaud a team of JUSTICE LEAGUE busters, but this ain’t the crew. Baz versus Hal…please. Catwoman against Batman, I bet on the Bat. Martian Manhunter versus Superman, sure as long as Supes gets his eyes gouged out. Vibe versus Flash…WTF?????? Also, this title was born for a crossover and has lived tere since. It has had no time to set its own pace.
EARTH 2 AND WORLD’S FINEST: I’m a parallel universe whore so take this recommend with a grain of salt. Objectively I can say these books are most reflective of the time before New 52. It’s a more adult universe with a more realistic bend on how the globe would operate were it overrun with Gods. Power Girl and Huntresses’ “fish out of water” tale in WORLD’S FINEST has been an almost in-universe catharsis as they complain how young and inept the New 52 holy trinity is compared to their now deceased family members Reality Deux.
VIBE & KATANA: See JUSTICE LEAGUE OF AMERICA review for why these two members never should have had their own titles. Both were well written, they just simply couldn’t compete even within their universe for prominent shelf space.
JUSTICE LEAGUE INTERNATIONAL: The first team of JUSTICE LEAGUE busters were too laughable to live up to the mission, but not laughable in the Bwahahahaha sense. More awwwww. They couldn’t do the job and had no gravitas to balance the funny. It was a still born resurrection of the old title from the 80s.
JUSTICE LEAGUE 3000: This hot mess of resurrected JUSTICE LEAGUE members in the year 3000 is hilarious, fun and just introduced a stellar story element with forgotten “garbage earth.” Finally a JUSTICE LEAGUE and future book that got it right, right out of the gate.
CAPTAIN ATOM: He’s a man of the atom. I only read the first issue. Nowhere near as impactful as the miniseries a few years prior.
FIRESTORM: Another one issue and done read for me. Sorry, just didn’t grab me.
MISTER TERRIFIC: This was a tragic case of too many rich smart dudes in one universe syndrome. No one knew what to do with this guy. So they basically cast him off to EARTH 2, which no one except me was reading before Taylor took over. Great character and well done dialog along with future pay off continuity integration when Power Girl appeared. Sad sad sad waste of potential.
5 years before truly rocked these titles. Even though DC tried to ignore it from a story perspective, comic fans could not be mind wiped enough to do the math on the four Robins bounding about. I love Damian Wayne, so I wouldn’t have supported any decision that would have wiped him or any of the Robins clean off the map. However, each Robin being Bruce Wayne’s ward for about 6 months felt like a bit of a slap in the face to those of who watched Batman and his Robins build years long relationships.
Still hasn’t really been course corrected even with the fugazi of Tim Drake’s Red Robin ruse.
BATMAN: Snyder has done some bang up work in Bats, first introducing to the court of Owls and then rebuilding a bunch of other new mythologies for Gotham’s most famous families. I enjoyed Death of the Family, but I also understand the rage of some fans since there were no real deaths – simply betrayals and separations. In the beginning BATMAN required a balls deep commitment to Batman Universe books to get the full effect, but f you’ve been thirsting for an open story without the extra work I highly recommend joining the fun with Zero Year.
BATMAN INC. AND BATMAN & ROBIN: A true yin and yang relationship. BATMAN INC. delivered the atrocity of Damian’s life while BATMAN & ROBIN showcased the joy of a loving Father and Son relationship. These books also gave us Bat-Cow and Titus, two gifts I will forever be grateful for having read.
BATWING: every fiber of my being wanted to like this book, Winick and team have created a quality book here month after month. It was wise of DC not to squash this one even though it doesn’t bring the thunder and the noise. I stopped reading it solely for ideological reasons. I thought the Incorporating of Batman opened the Kimono too wide and squashed any willing suspension of disbelief. Don’t be a purist like I am kids, you are only cutting off your own nose.
BATWOMAN: Some of the most gorgeous art to grace a comic page. I wish I gave two shits about Batwoman.
BIRDS OF PREY: This one sadly annoyed me after the joy I had with the old book. I’m pissed Black Canary is no longer with Oliver Queen and I just couldn’t let that nagging sensation go enough to enjoy this book.
BATGIRL: I’m fine with walkie Babs and absolutely dig her psycho Brother, James. Gail Simone has once again delivered the goods issue after issue. Babs is the heart of the Bat Family and that heart once again beats within enthusiasm as opposed to her somewhat maudlin existence as wheelie Babs Pre 52.
CATWOMAN: I loved this book under Winnick. The crazy hot passion between her and Bats, her cavalier attitude towards….everything, and some really well thought out heists and capers. Then Nicola Scott took over with some shit about Eclipso. Haven’t been back since that hot mess dark pall shrouded the fun.
DETECTIVE: A great Bat book for dabblers. If continuity gets you blue and you don’t have the resources to read everything on the shelves look no further than DETECTIVE. My favorite story to date was the Emperor Penguin takeover of Oswald Cobblepot’s empire.
NIGHTWING: I’m bugged by what the “five years before” have done to the ages of the Robins. I shun because I care.
RED HOOD AND THE OUTLAWS: Sadly, this has been a very good book that was mired in ridiculous controversy spurred by assed up mommy bloggers. Yes, Starfire is a wee bit more liberal with her orange ta-tas, but I say who the hell knows what an alien libido is like? Also, there are a ton of people who can’t abide the return of Jason Todd. Personally, I read the book for the camaraderie. Since we no longer have Ollie, Hal and Dinah these three are some very intriguing intergalactic wanderers.
HARLEY QUINN: A new entry that remains to be seen on staying power. The 4th wall breaking 0 issue left many wanting since we’re not all comic insiders. Follow-up issues have been a sadistic fairytale. The literal will walk. My advice is to just pretend that you are viewing the world through Harley’s eschewed lens and you will find a new level of joy in the adorable mayhem.
TALON: No, just no. Court of Owls were much more interesting as an entity than a personal tale of vengeance.
Another five year before that just did not fly. ACTION was Ok, but the rest of the books not mired in the past barely skimmed the surface of who Superman truly is beyond the cape. The course has corrected over the past 6 months, but there are still some tall buildings Superman needs to traverse to get back on top.
ACTION: I love Grant Morrison, but I did not love ACTION. It had nothing to do with jeans and t-shirt Superman and much more to do with the plot that felt like Johns’ SECRET ORIGINS and the fact Clark never felt like a corn fed kid from Kansas. Oh, then he became a fireman or some shit. This book didn’t hit its stride until Pak took over with the issue 25 ZERO YEAR.
SUPERBOY: I honestly read the first issue and never came back. Kids in fluid tubes just don’t do it for me.
SUPERGIRL: This little lady course corrects every other thing wrong with the SUPERMAN UNIVERSE books. We feel her pain as she struggles to understand a world that fears her. We truly see a fawn on new legs. She has also been on some great intergalactic travels and quite recently became a Red Lantern. A plot line that helped give her book a goose and actually got me interested in RED LANTERN for the first time.
SUPERMAN: If you’re into the talks of mergers and the politics of media, you found your book for the first arc of Superman’s new life. If you like villains that don’t mean shit to anyone akin to the mutants of the week from Smallville, then stay for the next couple of arcs. If you like a good comic book where Superman must balancer his hero life and the world of Clark Kent, start reading SUPERMAN when Lobdell takes over.
SUPERMAN UNCHAINED: I love how Snyder once again tried to inject real history into a title. I was on board for Sam Lane running a covert ops group compete with their own Superman. As we watched this Darkseid looking chap try to espouse the virtues of duty to country while Kal talks of saving humanity, you begin to realize why the New 52 was so necessary. The world is much bigger than it was in 1938; we need a hero that fights for truth, justice and that’s it really.
BATMAN/SUPERMAN: Quite simply this is the book for everyone who hates the New 52. The interchange between our New 52 versions of B&S with their older and wiser counterparts on Earth 2 satiates fans new and old. This was also a great read for EARTH 2 and WORLD’S FINEST fans. Love seeing worlds that recognize God’s walk among them and where the Gods get off their asses for some proactive world management. The second arc of BATMAN/SUPERMAN finally gave Huntress and Power Girl to out themselves to their Earth Prime family members, making everyone’s lives a little less lonely.
SUPERMAN/WONDER WOMAN: I’m pro on the Superman and Wonder Woman relationship if for no other reason than it makes Batman more nervous than the Joker having a map of the cave. Soule is doing a bang up job showing the dichotomy between these two despite being similarly powerful. WW’s being raised as a goddess and Clark’s humble bringing will ultimately be their undoing in my opinion rather than the obvious return to Lois. In the mean time it’s nice to see some real relationship turmoil permeate the fantastical.
GREEN LANTERN UNIVERSE
While there were no time travel shenanigans shoved into Gl, this was a book that remained virtually untouched from its pre Flashpoint happenings. Pretty much if it was written by Johns or Snyder the book was storyline saved from a reset. In this case it worked though as the universe course corrected around the Lanterns instead of the other way around. Lately, I have loved the fact the GLs are now the scourge of the universe since their mentors went batty. I’m also intrigued to see how long the corps can stop the other light spectrums from draining the universe’s emotional well. Sort of like being an arms control specialist in Compton.
GREEN LANTERN: Because we never skipped a beat from the old universe it’s safe to say the New 52 versions will sit just fine with lapsed readers. Johns continued to play with the light spectrum in the new universe as he dethroned the Guardians for a new universal order. Today, Hal is back in charge and Mogo takes the place of OA as the corps tries to get the rest of the light spectrum to conserve the finite well of power.
GREEN LANTERN CORPS: John Stewart is one of the most tragic heroes in the DC Universe. Guy Gardner one of the most hilarious. Put them together and you noy only get a great buddy book, but one with consequence. Stewart continues to make tough choice after tough choice as guy finds a new home within the emotional spectrum. The road to getting to these destinations is well worth the read.
GREEN LANTERN NEW GUARDIANS: I won’t lie, it took this book a long time to get to the point – basically making Kyle Rayner the White Lantern and introducing to more humane set of Guardians who were locked away by the originals. Not necessary reading, but if you dig Kyle this was the only place to get him. What’s also been interesting is the friendship that formed between Kyle and Carol Ferris. A Carol with options beyond Hal causes some serious strife for our favorite hot headed pilot.
RED LANTERNS: I hated this book when it was released. The one note rage of the Red Lanterns was fine and dandy in a supporting world, but made for very two -dimensional focal points in their own title. Fortunately Guy Gardner came in to take over and kept some of his pre blood ingesting wits about him. The latest crossover with SUPERGIRL has been sensational.
LARFLEEZE: More like Larplease. Same issue I had with the red lanterns at the outset, the embodiment of one emotion is a very flat experience.
YOUNG JUSTICE UNIVERSE
This will be the biggest gaping hole in my review. For one, most of the books have been cancelled. Secondly, none of the kids have captured my imagination.
TEEN TITANS: No T tower, no Nightwing and no Marv Wolfman. No thanks.
BLUE BEETLE: I was done with BB the day Maxwell Lord put a bullet in his head. I like my Beetle as a fun nerdy science guy, not a mystical alien. Apparently the market agreed with me.
HAWK & DOVE: Bad art and a worse story. A trade you can skip. To be fair I never really cared about these characters. The only time Hawk was interesting was back when he took over the future during ARMAGEDDON 2001.
LEGION OF SUPER HEROES & LEGION LOST: I was never a big LoS guy, more a L.E.G.I.O.N. chap. Still, I went into these series with open eyes and mind. All we got was confusion and cross pollination between books performed by retarded bees. Not good, and a huge blow to the year 3000. Fortunately JUSTICE LEAGUE 3000 has been able to save the future.
STATIC SHOCK: A title that never stood a chance. The editorial meddling is well documented and unfortunately there are still too many myopic white kids buying books for a black superhero to truly take hold.
THE RAVAGERS: This short lived title didn’t make a lick of sense, not a lick.
THE EDGE UNIVERSE
Probably the most original and under appreciated corner of the New 52. Here is where Sci-Fi, westerns and more eclectic titles come to live and sadly die. The biggest problem with the The Edge, that like The Dark, many of these titles are set-ups for events rather than their own beasts.
ALL STAR WESTERN: The best Jonah Hex has ever been. His first few adventures in old time Gotham are great ole’ time tales and fish out of water stories. This series became even better by placing Dr. Arkham as Jonah’s dandy sidekick.
STORMWATCH: A tragedy and travesty from how good this book once was. I reiterate the point I made at the outset; you can’t place a pastiche of the JUSTICE LEAGUE in-continuity with the JUSTICE LEAGUE. I was right, as exhibited by the reboot around issue 20 when Jim Starlin came on. Now, I have no idea what the hell this book is trying to accomplish.
SUICIDE SQUAD: It kills me to see what happened to this book. A black ops group of criminals that was tons of fun until it had to go serve its crossover masters. This was also where Amanda Waller was at her best.
THE MOVEMENT & THE GREEN TEAM: Meant to be an analogy for our current economic class imbalances, one was mildly interesting and one was simply atrocious. Ever wonder what the world would be like if rich kids had even more in this world they didn’t have to work for? Neither did anyone else, which made GREEN TEAM wither on the vine. THE MOVEMENT was decent about poor kids with powers in New Orleans, but even Gail Simone couldn’t save it from the chopping block next month.
O.M.A.C, GRIFTER, VOODOO, TEAM 7, THRESHOLD, BLACKHAWKS, MEN OF WAR: Some of these were decent, but again they lived to simply serve cross overs, the need to integrate Wild Storm universe events, or were kept so separate from the rest of the new 52 there was really no reason to care. My favorite of the bunch was MEN OF WAR, but it also made one realize how unnecessary mere mortals are when capes are around. Not a great message about the armed services in a time when our country jumps from one war to the next.
THE DARK UNIVERSE
An original world of magic, might and cynicism. I love this corner of the DCU even if I am beyond pissed about its perpetual implosion of titles.
JUSTICE LEAGUE DARK: A fine book when once again it is allowed to breathe. DC needs this book as desperately as Marvel needs to bring back Dr. Strange. Magic has a place in the superhero world. This team is a fine departure from straight fist-to-cuffs.
SWAMP THING: I never liked the character, yet I am still pissed I shunned the title. I heard it’s good. Any thoughts?
TRINITY OF SIN: PHANTOM STRANGER & PANDORA: Basically vehicles for the Forever Evil crossover. Vehicles more unnecessary than the Pacer.
CONSTANTINE: A fine attempt at making the main DCU a little darker. WARNING – this ain’t Vertigo. If that’s what you are looking for you will find this Constantine less than edgy. When placed against other books though he is absolutely bawdy. Decide what you want from your JC.
ANIMAL MAN: I am livid about the end of this book. I could care less about Buddy Baker’s ability to mimic animals, but I loved the fact we had a superhero with a real family and real family problems. This adoration grew even more with the complexity of Buddy trying t manage a budding acting career. This is the best book to ever get cancelled.
DEMON KNIGHTS: Another original title about the team that would one day become STORMWATCH assuming they could escape the middle ages. Very adult and very good. Also, very cancelled.
FRANKENSTEIN: AGENT OF S.H.A.D.E: DC’s successful swing at a BPRD league of weird powered super heroes. Fish chick, wolf man and an immortal leader in the body of a small girl this book had weird counterbalanced by Frank’s huge bleeding heart. The issue where he had to kill his child was probably one of the best moments of the New 52 that only I and handful of others ever saw.
I, VAMPIRE: Mary was made a vampire by John. John felt pretty bad about this and spent eternity repenting. He also had to spend it fighting Mary since she kind of dug the ultra violence. One of the most messed up and bloody love stories in comics that just never took hold with fans.
I really feel the New 52 is just coming into its own finally after three years. The rough spots have been smoothed and the books that will work are here to stay while the experiments become fewer and fewer. DC is not Image, they need to realize they are managing icons inside an equally iconic universe. DC main is not just stories – frankly that’s what Vertigo is for.
I still hold to the fact only two books should have been released at reset time: DETECTIVE and ACTION. From there, let new ancillary characters build who are reflective of now instead of then. I know this doesn’t work from a cash and licensing standpoint, but universes like EARTH 1 have ben critically and revenue proven to be the right choice.
Also, I’m dumbfounded by the dogmatic adherence to 52 titles. It was a cute nod to FINAL CRISIS and the multiverse, which hasn’t truly been explored since. It’s an albatross keeping great books either obscured from sight or weighed down carrying the lesser titles, and bad books getting the green light simply to fill an artificial quota.
I wouldn’t write 4,000 plus words about a topic unless I vehemently believe it is worth the time and can be improved. Also, I wouldn’t do it if I didn’t care. Take stock and heed of this DC and realize you have great stories in you as long as you can kick the fucking suits and money-men out of the bullpen.
JUSTICE LEAGUE 3000 #1
Writer: Keith Giffen & J.M. DeMatteis
Artist: Howard Porter
Reviewer: Rob Patey (aka Optimous Douche – Ain’t It Cool News)
This is definitely one for the generation that could only watch cartoons on Saturday mornings and went to our first school dances in Z. Cavariccis. The original peddlers of Bwahahahaha are back with a JUSTICE LEAGUE that wafts of a time long ago even though the story events take place in a time yet to come.
The post CRISIS ON INFINITE EARTHS DeMaGiffen JUSTICE LEAGUE still stands as one of the boldest and most revered periods for DC’s top crime fighters. The DC universe had just gone through a very dark time and needed a serious dose of irreverence to refill the depleted well of optimism left in the Anti-Monitor’s wake. Booster Gold, Blue Beetle and eventually a whole group of Europeans showed us that heroes always won and they had a damn good time doing it. The danger DC ran with this direction was the book traversing into unadulterated silliness, but the boys were able to keep the action and danger cranked to 11, so instead of being simply immature our heroes were cavalier and thus inspiring in the face of adversity. The success of this iteration was also imbedded in the fact that the JUSTICE LEAGUE were real flesh and blood characters as opposed to caricatures of heroics. They were also, after some growth, a family, complete with the same emotional turmoil as your own. The JUSTICE LEAGUE simply had to go fight crime after petty squabbles over bathroom time or after a date.
DC tried to recapture some of this magic when the New 52 was launched, but sadly the new JUSTICE LEAGUE INTERNATIONAL simply didn’t resonate. For the longest time I blamed the creators, thinking they had somehow “lost it” between the Reagan and Obama administrations. JUSTICE LEAGUE 3000 confirms that nothing was lost by the creators, merely DC decided to launch with too many JL teams before defining their respective purposes in the universe. One needs to introduce a team before they introduce a clandestine team to manage that other unknown team. The formula has been working now in JUSTICE LEAGUE AMERICA because the universe had time to establish itself and the book also skips the snark.
JUSTICE LEAGUE 3000 is not only a salvation for Bwahahaha, but also the 31st century. LEGION was another book that tried to splinter too soon and thus left even the most imbedded DC fans with a collective WTF response to its happenings.
Clones, damn dirty clones. It’s a Sci-Fi truism from Star Wars to now DC. This is not some future generation picking up the mantle of the famed five; Green Lantern, Flash, Wonder Woman, Batman and Superman. JUSTICE LEAGUE 3000 are facsimiles of Hal Jordan, Diana Prince, Hal Jordan, Barry Allen, Bruce Wayne and of course Clark Kent. What I found immediately intriguing was the fact they all know they’re clones and kind of despise themselves for it. DeMaGiffen also settle the old debate of nature versus nurture – Clark is lecherous, Diana is rage incarnate, Barry and Hal are whiners, only Bruce still holds to his present day douchiness (though he does it with much less gravel and remorse). Created on planet CADMUS, these five are created to help the universe rebuild from a great cataclysm and fight an ethereal five whoa re mentioned, but never seen. Of course they need to stop tugging at each other’s capes first.
Created on the planet CADMUS, JUSTICE LEAGUE’S creators are as much a part of the story as the Fab Five themselves. Ariel Masters is a scientist on the run from CADMUS and her creations. We don’t know why just yet, but this was probably the most intriguing part of the story. Ariel is the only one who has her shit together and acts like an adult. The clones get a pass, whether you give a pass to the petulant lab assistants that ran Ariel out of the program will depend on how well nostalgia melts the cold cockles of your heart. Terry and Terri are super teen scientists who clearly picked up Ariel’s worked and botched the living shit out of it as we can see from the less than perfect imprinting of the JUSTICE LEAGUE members’ personalities. In fact, they screwed up so badly they have been sarcastically been dubbed the Wonder Twins by the elder scientists (yes, I laughed at this). To correct their mistake it’s now T&T’s job to keep this team in line by acting as their handlers, while they also try to figure out how half of the team’s memories were scrambled during creation.
Humor and a deep imbedding of current lore make it easy to keep turning the pages. I’ll admit the first half of the book left me wondering at times what I was reading since nary a cape appears during the introduction of the scientists, but DeMaGiffen brings it all together quite wonderfully half way through. For anyone adverse to talky books, take a few deep breaths and no that the action is right around the corner. There are also clues for the clever eye to discern about the current fate of the DC universe in these pages. Hal Jordan doesn’t have a ring, just a shitty cloak that kind of emulates the Lantern’s power. Apparently, the Green Lantern Corps is one the most reviled teams in history. Clark Kent is seen as a vile fiction that should never be uttered (especially not around this new of so Broski Superman). There are other little nuggets, but I don’t want to be the jerk that fills out Highlights magazine and puts it back on the rack. Go have your own fun.
Porter’s art takes a little getting used to since he’s a Scott Kollins light. I like it, but then I tend to lean towards either the utter realistic or utterly avant-garde.
I laughed quite a few times in this book, which is what I expected. I hate to say it, but that’s the brand DeMaGiffen have created for them selves (sorry guys). I’m also wondering what kind of staying power this book will have. As I said earlier, the 31st has been problematic for DC, as have any titles that stray to far from the core of happenings in JUSTICE LEAGUE proper. I’m a fan so far, I just hope there’s enough out there that join me.
ICONES DOS QUADRHINOS (COMIC BOOK ICONS) Writers: Everyone Artists: Everyone Publisher: Ivan Freitas Da Costa Reviewer: Rob Patey (aka Optimous Douche – Ain’t It Cool News)
Fortune always seems to find me. I tackled Artist’s Alley at New York Comic Con 13 as I attack every project: simply start at the beginning and diligently work my way to the end, not missing one booth along the way. Many reporters cherry-pick, as indicated by the plethora of press badges surveying the big board of creator assignments by booth number. For me, there are just too many damn names to remember in comics, and if you don’t hit every booth, fortune will pass you by because you cared more about your endeavor to get more clicks on your site versus caring about covering comics.
First booth, all the way to the right I saw Ivan Reis. I’ve loved his stuff on GREEN LANTERN, so I figured I snap a quick pick.
A lot of other people had the same intention. Abhorring lines, I was ready to walk away until once again fortune decided to take over. Standing next to Ivan was an assuming man named Ivan Da Costa–also Brazilian like Reis, and also thankfully a man possessing much better skills at English than I have in Portuguese.
However, I still didn’t get the gist of the book he was trying to give me. Something about a gallery and something about a lot of different artists contributing. I also shouldn’t just call it a book. I get a lot of books bequeathed to me in hopes of review; I get very few coffee table-sized behemoths. It was gorgeous in size and production stock. But I still didn’t quite understand how special this piece was.
I got back to my hotel room and decided to soak my feet for an hour or so before hitting the after-con parties. As I was feeling the effects of middle age ease out of my feet into the warm water, I studied Comic Book Icons’ spartan but haunting cover of famous comic eyes entreating me to look further. Mickey Mouse, Sandman, Betty Boop, Dr. Doom…was Da Costa Mafioso able to scribe the greatest story ever told in comics? But then I noticed, none were done in their traditional style.
I opened up the hard stock cover and skipped right over the intros, as I often do. No sentimental forwards will dare to sully my journey through a tale. And I was presented with a full page spread of Aquaman as I had never seen him rendered before. I said out loud as I often do since being an only child has made it a lifelong verbal tick, “That’s cool–looks like BATMAN BEYOND.” Looking at the page next to the pretty picture I saw a description of who Aquaman is, Thony Silas’ picture explaining why he loves the character and Thony’s bio confirming my BATMAN BEYOND suspicions. Written in both English and Portuguese, the pages continued.
Superman by Jeff Lemire, Calvin and Hobbes by Eddy Barrow, Swamp Thing by Phil Hester, Sgt. Rock by Darwyn Cooke, The Shadow by Sean Murphey, Thor by Mike McKone.
The star power overwhelmed me. My hour quickly slid away, as I was at first star-struck and then awestruck by the slew of names that I have never heard of, but whose interpretations of icons and raw energy crackled off the page. Popeye, Betty Boop, Sandman, Death of The Endless, Wolverine…each page turn brought forth another character I’ve always had to go to a different book to look at, thanks to lawyers and the corporatization of this medium.
Then I said, “Wait a minute–how the hell did this book get put together? This is like copyright chum in the water for the sharks of Cheatum and Soo.” The forward…
So, apparently every year Ivan Da Costa holds an art show in Brazil. He gets creators from around the world to contribute. For the 2013 show, he decided to put all the pictures inside this treasure trove.
The pictures, the anecdotes and the sheer adoration of seeing our creators celebrate their fandom make this book a gorgeous historical artifact of this period in comic history.
After a quick web search I found out this book is seeking Kickstarter funding. Since my Portuguese sucks, I think it still has a fair amount of time left to completely blow away it’s already doubled goal. There are very few of these projects I believe in, but those I do I will review. I have never endorsed one, though, or asked readers to contribute. Do yourself a favor and give to COMIC BOOK ICONS. I have held the finished product, and you would be lucky to do the same.
SUPERMAN WONDER WOMAN 1
Writer: Charles Soule
Artist: Tony Daniel
Reviewer: Rob Patey (aka Optimous Douche – Ain’t It Cool News)
I learned one truism when I got married 13 years ago that I find holds water in about 90% of relationships, “Women marry men hoping they’ll change, men marry women hoping they won’t.”
I think Charles Soule agrees with me, because as perfect as Superman is, Wonder Woman is damned and determined to make him better. He’s powerful, but untrained. Good of heart, but unwise towards the world. He’s the greatest man to walk the earth, but needs the veil of mediocrity found in Clark Kent to honor his earth upbringing. These are the things Wonder Woman plans to fix. Honestly, I smelled wafts of an impending break-up between these two powerhouses more than I saw the buds of a relationship ready to flower. Because while men are capable of change, the process is slow and no matter how much we love, certain tenets of the self can not and should not be changed. Wanting to live a life of humility and simplicity is a much different personality trait than not hitting the laundry basket or leaving the toilet seat up. Hell, Clark isn’t even willing to show Wonder Woman his frosty bachelor pad much less clear a dresser drawer or make a giant pink key for her own entry.
This book is the deep emotional and character deep dive I’ve been begging for from books like JUSTICE LEAGUE. I get it, JUSTICE LEAGUE is an all-ages bombastic battering ram of conflict, to take a quiet respite like SUPERMAN WONDER WOMAN 1 portrays in its first issue would probably upset a lot of Fanbabies. Fangeezers though, who have been tempered by years of co-habitation with the gentler sex actually appreciate books where we see how this life of frenzy actually affects them as human beings.
Don’t think for a second this issue is without action. Soule’s pacing coupled with Daniel’s able art bops us back and forth between these discussions of self and the harrowing heroics of rescuing an entire naval battalion of naval forces from impending doom. While the issue starts with Wonder Woman getting in some gal talk during a sparring session with one of her fellow Gods and Clark trying to manage Kat Grant’s ambition for their Huffington Post knock off, Soule perpetually thrusts the book forward from earlier to now to show some great plane crashes and the complete destruction of a naval carrier.
The threat at first seems to merely be a nasty whirlpool created by some thermal dynamics at the bottom of the ocean. What causes that heat though, is a threat as old as Nirvana.
Doomsday is back folks and Daniel welcomes him with some massive scale carnage that will turn the stomach of even the most stalwart horror fans. I’m of two minds here, and part of my apprehension stems from New 52 continuity versus what we’ve known for years and the issue DOOMSDAY 1 during Villain’s Month.
I’ve never been clear on whether Superman has ever been fell by Doomsday’s massive meat hooks in New 52 context. The entire “origin” of Doomsday took place on Krypton as a young Kara is told of her Aunt’s battle against the creature with the help of Zod. However, the book of El also relays a prophecy of a day when Doomsday will return and kill the house’s greatest champion. During these scenes Superman has a mullet, which we all remember from the 90’s, and he looks much older than his New 52 visage. Who the hell had a mullet between 2006 and 2011 and didn’t live in an area still waiting for cable TV? I know, I know, comic time is it’s own beast. but at what point do we cry uncle from the confusion. Did the book of El tell of a time yet to come? Will mullets and perms be all the rage in 2014? It’s the problem that comes with trying to reboot, while still keeping pieces of your old boots on your feet.
Even though it has never been implicitly stated, I believe Superman does know Doomsday simply by a recognition of fear in this issue. I’ll also assume his death did take place between in the five year before dark time. It doesn’t jive with JUSTICE LEAGUE behavior in later arcs of the New 52 nor what actually happened during his death in 93 (that Justice League was not the new one by a long shot. I mean Booster Gold and Blue Beetle anyone?). All of this would sit better if the artist and DOOMSDAY 1 simply skipped the oh so 90s character renderings, but whoever said comics are for the hyper-literal (even though we all go there).
Misgivings and continuity nits aside, I’m happy with SUPERMAN WONDER WOMAN from a sheer content standpoint. I’m not happy about having to buy another book each month or the face FOREVER EVIL is completely ignored, but again that’s comics. I guess sometimes the needs of the one title, do outweigh the needs of the many.